I say this flick Shaft is a bad movie. Shut yo’ mouth.
Cannes, France – This year’s winner of the Sun-Times’ Sex Symbol of the Year competition at the Cannes Film Festival is Miss Carla Dunlap, who gets bitchy when she doesn’t pump iron. She was the winner of the 1983 U.S. Female Body Building Championships, majored in advertising design in college, and was once Rupert Murdoch’s paper carrier.
CANNES -- The riots were Wednesday. Kinski was Thursday. Relative calm returned by the weekend. But it is safe to say that few entrances in the history of the Cannes Film Festival have rivaled the reception of Nastassja Kinski when she arrived here for the premiere of her latest film, the luridly stylistic "The Moon in the Gutter." The film was not a success, but Kinski was a triumph -- not because of her performance, but because of herself. Has there ever been an actress in the history of the cinema who has so fascinated so many people without yet having appeared in a single truly great movie?
Sundance, Utah -- Up here above Provo, in the resort he has carved out of a little mountain meadow, Robert Redford is conducting an experiment that Hollywood regards with a mixture of suspicion and curiosity. He has selected 10 low-budget films that are in the middle-to-late stages of preparation and invited their directors to spend the summer at Sundance working on their scripts in the company of established directors, writers and editors.
Park City, Utah - Up here in the mountains above the Great Salt Lake, everybody seemed to have a definition earlier this month of what an independent filmmaker was. It was just that nobody seemed to agree.
Cannes, France – Scott Fitzgerald, that poetic chronicler of the lives of the rich, the beautiful and the famous, should have had my seat for dinner last night at Le Moulin des Mougins. By the time the sorbet came to clear the palate between the fish course and the entrée, he would already have seen through the glitter into what was no doubt the ennui beneath. The glitter was enough for me.
Cannes, France – This year there are five airplanes flying in formation up and down the Croisette, trailing giant banners announcing “Superman II.” Last year there were only two. This year the giant construction cranes have moved into place on the site of the new Cannes convention center. Last year it was the site of the old municipal casino. The more things change at Cannes, the more they remain the same.
Cannes, France – The Grand Prix was all but split three ways here Friday, as the jury of the Cannes Film Festival handed out the annual festival awards.
Cannes, France – These last few days at the Cannes Film Festival always seem devoted to handicapping the prize ceremony. The critics and cineastes gather in the Blue Bar, that jam-packed cafe under the very awnings of the Palais du Festival, and speculate on the winners, which will be announced Friday afternoon.
Cannes, France – It requires a certain amount of cinematic gear-shifting to jump from film to film here at the Cannes Film Fes¬tival. During the last few days, for example, I’ve seen Federico Fellini’s bizarre new study of feminism, Bertrand Tavernier’s thoughtful portrait of a young schoolteacher in Lyon, a Canadian thriller named “Double Negative,” and the British punk rock heroes, the Sex Pistols, in “The Great Rock and Roll Swindle.”
Cannes, France – Notes after a week of non-stop moviegoing and partygoing at the Cannes Film Festival, an annual event involving 500 movies about people trying to find themselves, attended by 35,000 people trying to find each other: