Lean on Pete
I marveled at the humanist depth of the world Haigh creates, one that can only be rendered by a truly great writer and director, working…
Cannes, France – These last few days at the Cannes Film Festival always seem devoted to handicapping the prize ceremony. The critics and cineastes gather in the Blue Bar, that jam-packed cafe under the very awnings of the Palais du Festival, and speculate on the winners, which will be announced Friday afternoon.
Cannes, France – It requires a certain amount of cinematic gear-shifting to jump from film to film here at the Cannes Film Fes¬tival. During the last few days, for example, I’ve seen Federico Fellini’s bizarre new study of feminism, Bertrand Tavernier’s thoughtful portrait of a young schoolteacher in Lyon, a Canadian thriller named “Double Negative,” and the British punk rock heroes, the Sex Pistols, in “The Great Rock and Roll Swindle.”
Cannes, France – Notes after a week of non-stop moviegoing and partygoing at the Cannes Film Festival, an annual event involving 500 movies about people trying to find themselves, attended by 35,000 people trying to find each other:
Cannes, France – The dramatic return of the great Japanese director Akira Kurosawa has provided most of the drama during the first week of this year’s Cannes Film festival. Kurosawa, who at age 70 had not made a film in five years or a Japanese film in 10, arrived here Wednesday with “Kagemusha,” a three-hour samurai epic that is clearly a labor of love. It was greeted with ovations at its press screenings, and is the early favorite to win this year’s Grand Prix.
Cannes, France – The television crew has appropriated the garden of the Majestic Hotel and is setting up a shot that will symbolize the atmosphere here on the day before the official opening of the 33rd annual Cannes International Film Festival. The shot shows film critic Rex Reed sitting alone at a table in the deserted garden in the rain, sipping from a glass of champagne. Behind him, the great swimming pool is empty. The deck chairs are stacked like firewood. The sky is gray and the waves are pounding sullenly against the beach.
“Kramer vs. Kramer,” the drama of a child custody fight, won nine Academy Award nominations on Monday – and so, in a surprise, did "All That Jazz," about a Broadway director’s self-destruction.
Cannes, France –- This time last year, the betting for best actress in the Cannes Film Festival was solidly on Isabelle Huppert. It is again this year, too. The solemn-faced young French actress with the big eyes and the remarkable subtlety is the early "best actress" favorite for her performance in the title role of Claude Chabrol's "Violette Noziere."
Billy (Silver Dollar) Baxter traveled to the Cannes Film Festival every year with two old friends, Herb and Anna Steinman of New York City. He always introduced Mrs. Steinman as “Jack Nicholson’s shrink,” and Herb as “the retired millionaire and my old buddy-boy.” From time to time over the years, Baxter and Steinman had purchased the rights to films at Cannes, and released them in the United States. Their purchases included "The Umbrellas of Cherbourg" and Lina Wertmuller’s "Love and Anarchy," and in 1977 they were hot on the trail of a Canadian film titled "Outrageous!"
“Rocky” and “Network” - one about fighting your