With its single setting and real-time story, The Guilty is a brilliant genre exercise, a cinematic study in tension, sound design, and how to make…
PARK CITY, Utah--Robert Redford remembers the early years of the Sundance Film Festival: "We had 30 or 40 films, in two theaters. I was standing in the street outside the Egyptian Theater, handing out brochures like a street hawker, trying to talk people into coming inside. I saw David Puttnam, who was running Columbia at that time, and gave him the pitch. He went in, saw Jim McBride's 'The Big Easy,' and bought it. That was the first film bought at Sundance."
PARK CITY, Utah--I have just spent an hour with the 2003 program for the Sundance Film Festival, and I am churning with eagerness to get at these films. On the basis of track records, this could be the strongest Sundance in some time--and remember, last year's festival kicked off an extraordinary year for indie films.
The Toronto Film Festival's leadership uses "postmortem" as a verb, and after this year's festival they're going to be postmorteming a lot. Movies were good, acquisitions were high, screenings were crowded, and sometimes tempers were elevated.
TORONTO--"Whale Rider," a film from New Zealand that arrived unheralded at the Toronto Film Festival, won the coveted AGF Peoples' Choice Award as the most popular of 345 films.
TELLURIDE, Colo.--Peter O'Toole regarded the Telluride Medal hanging around his neck and intoned: "When 50 years ago this year, I took my first uncertain steps on the stage as an actor, had anyone suggested to me that half a century later I would be up a Rocky in a grand old opry house, being festooned with medals, wandering and relaxing with old and new friends and colleagues, watching the better part of five decades of my life tumble on the screen in the company of the new generation O'Toole, my son Lorcan, I might have said that would be unlikely."
TORONTO--At the end of the 27th Toronto Film Festival, six films in six paragraphs, alphabetically:
TORONTO--The 11 films by 11 filmmakers in the film "11/09/01," all trying to address 9/11 in 11 minutes, are uneven and not entirely satisfying. One wonders if the producers, who are from France, should have recruited directors of shorts rather than features, but four of them have undeniable impact, and one is devastating.
TORONTO--The enormity of the attack on the World Trade Center struck many artists dumb; what can be said, and how? Anne Nelson's play "The Guys," which was quickly produced in New York and has starred many actors, reduces the story to two people: one who remembers his fallen comrades, and one who wants to help him word his memories. Now it has been made into a film, which premieres on 9/11/02 at Toronto.
TORONTO--A midterm report on the 27th Toronto Film Festival:
TORONTO--We have a saying in Chicago: Don't drive the Dan Ryan expressway until you've driven it three times. Nobody should see Todd Haynes' "Far from Heaven" unless they've seen a lot of movies, especially from the 1950s. Unless you know what he's doing, you're likely to hate it.