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Wonder

You’ll shed a tear or two—especially if you’re a parent—and they’ll be totally earned.

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Mudbound

The film invites us to observe its characters, to hear their inner voices, to see what they see and to challenge our own preconceived notions…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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The decline and fall of Roman's empire

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CANNES, FRANCE -- The great galleon Neptune rides high in the old yacht harbor, attracting thousands of gawkers who admire its weathered timbers, its 18th century riggings and its bizarre 20-foot figurehead. But Roman Polanski's "Pirates," the movie that used this ship as a prop and location, sank on launching at this year's Cannes Film Festival.

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Carla Dunlap, Sun-Times Cannes Sex Symbol of 1985

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Cannes, France – This year’s winner of the Sun-Times’ Sex Symbol of the Year competition at the Cannes Film Festival is Miss Carla Dunlap, who gets bitchy when she doesn’t pump iron. She was the winner of the 1983 U.S. Female Body Building Championships, majored in advertising design in college, and was once Rupert Murdoch’s paper carrier.

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Kinski: If not to die for a moment of emotion, what is the use of life?

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CANNES -- The riots were Wednesday. Kinski was Thursday. Relative calm returned by the weekend. But it is safe to say that few entrances in the history of the Cannes Film Festival have rivaled the reception of Nastassja Kinski when she arrived here for the premiere of her latest film, the luridly stylistic "The Moon in the Gutter." The film was not a success, but Kinski was a triumph -- not because of her performance, but because of herself. Has there ever been an actress in the history of the cinema who has so fascinated so many people without yet having appeared in a single truly great movie?

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The First Sundance Workshop, 1981: The more things change...

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Sundance, Utah -- Up here above Provo, in the resort he has carved out of a little mountain meadow, Robert Redford is conducting an experiment that Hol­lywood regards with a mixture of suspicion and curiosity. He has selected 10 low-budget films that are in the middle-to-late stages of prepara­tion and invited their directors to spend the summer at Sundance working on their scripts in the company of established directors, writers and editors.

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Cannes 1980: Dinner on the A-List

Cannes, France – Scott Fitzgerald, that poetic chronicler of the lives of the rich, the beautiful and the famous, should have had my seat for dinner last night at Le Moulin des Mougins. By the time the sorbet came to clear the palate between the fish course and the entrée, he would already have seen through the glitter into what was no doubt the ennui beneath. The glitter was enough for me.

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Cannes 1980: The festival comes into focus

Cannes, France – This year there are five airplanes flying in formation up and down the Croisette, trailing giant banners announcing “Superman II.” Last year there were only two. This year the giant construction cranes have moved into place on the site of the new Cannes convention center. Last year it was the site of the old municipal casino. The more things change at Cannes, the more they remain the same.

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