The House with a Clock in Its Walls
Black, more than anyone else, should have been the one to wind up The House with a Clock in Its Walls. Too bad he doesn't…
Steven Boone has written film criticism for over 20 publications in print and online, including The Village Voice, The Star-Ledger, Time Out NY and Salon.com.
Boone is a writer at large for the website Capital New York and a contributor to three popular blogs: Fandor's Keyframe, Indiewire's Press Play and Slant Magazine's The House Next Door. His experimental video essays blend film commentary, memoir and documentary in a provocative DIY style.
• Video by Kevin B. Lee • Text by Steven Boone
German Expressionism, Soviet Montage, Italian Neo-Realism, the French New Wave , the Japanese New Wave, the Australian New Wave, Cinema Novo, the New American Cinema, Cinema du Look, the Black Pack, Dogme 95, mumblecore...
In the cinema world, film "waves"--movements of like minded filmmakers bound by generation, nationality, stylistic tendencies or social/political position--rise, crest and fall away every decade. But the latest wave is something different.
Those dudes over there in Ho'wood have no idea what makes a movie that the people will fall in love with, only how to front-load some lackluster ideas with massive budgets, multimillion-dollar print and advertising blitzes, and lame distractions like 3-D in lieu of good stories or capable storytelling.Just as all it would take to get truly progressive social policies on the table are public officials who aren't spineless or sociopathic, all the movies need is a creative executive who makes the sane calls, pushes for real ideas instead of bait-and-switch schemes gleaned from the advertising industry.
Pre-1966 Ho'wood (aka Hollywood) was full of such moguls. For all the racism, sexism, jingoism, and general dizziness that marks Hollywood history, it must be said that the businessmen who ran the show early on were at least in touch with audiences and filmmakers, not just baiting them with barrels of cash and empty promises of "awesomeness." (We live in the Awesome Age, where every scrap of popular entertainment is calculated to knock you down on your ass at every instance. The general effect, though, is similar to watching a hyper kid's melodramatic "death" during a round of cops-and-robbers. "There is nothing so boring in life, let alone in cinema, as the boredom of being excited all the time"--Anthony Lane.)