McQueen’s masterful film is the kind that works on multiple levels simultaneously—as pure pulp entertainment but also as a commentary on how often it feels…
Chaz is the CEO of several Ebert enterprises, including the President of The Ebert Company Ltd, and of Ebert Digital LLC, Publisher of RogerEbert.com, President of Ebert Productions and Chairman of the Board of The Roger and Chaz Ebert Foundation, and Co-Founder and Producer of Ebertfest, the film festival now in its 18th year.
Roger got such a kick out of the interactions he had with you on Rogerebert.com that it provided joy to him right to the end. Even in grief I marvel at his timing. How could he post his very meaningful, "Leave of Presence" article on his blog, April 3, to commemorate his 46th year as a film critic, and then pass away the next day. And for those of you who want to know, yes indeed, we did sit down in his hospital room with his computer and look at the outpouring of comments from you. He felt it was important to let you know that among all of the other things he was planning to do, his cancer had returned, so his health was dictating that he had to slow down. He didn't have the energy to respond to all of the comments as he once would have done, but he wanted to share his newly redesigned website with you. He was so proud of it, and had seen the last tweak of it that Monday, April 1, and gave me and Josh Golden the go-ahead to unveil it.
April 15, 2013, Chicago, IL – Platform, launched in 2012 with the mission to increase the interest, participation, and success of underrepresented populations in the innovation economy, today announced the third in a series of regional receptions focused on welcoming new Founding Members and introducing the organization and its mission to the area’s business and civic leaders.
Hollywood and indie film directors, actor John Cusack, actor Chris Tucker, comedian and philanthropist Dick Gregory, former Playboy chair Christie Hefner and the president of Sony Pictures Classics, and the lead critics from Variety, The Hollywood Reporter, and the Chicago Film Critics Association, will join other celebrities, friends and colleagues to pay tribute to iconic film critic Roger Ebert’s life and prolific career at “Roger Ebert: A Celebration of Life,” this Thursday, April 11, at 7 p.m. at the Chicago Theatre, 175 N. State St.
CHICAGO, April 4, 2013 -- Chaz Ebert issued the following statement Thursday about the passing of her husband, Roger Ebert, a day after he celebrated 46 years as a film critic:
"I am devastated by the loss of my love, Roger -- my husband, my friend, my confidante and oh-so-brilliant partner of over 20 years. He fought a courageous fight. I've lost the love of my life and the world has lost a visionary and a creative and generous spirit who touched so many people all over the world. We had a lovely, lovely life together, more beautiful and epic than a movie. It had its highs and the lows, but was always experienced with good humor, grace and a deep abiding love for each other.
Beasts of the Southern Wild
• Chaz Ebert in Cannes
The Cannes 2012 Palme D'Or was indeed won Sunday by Michael Haneke for "Amour," the best film in the festival. And what an emotional moment to see its two stars, Jean-Louis Trintignant and Emmanuel Riva walk up on stage with Haneke to accept the award. A juror, Jean-Paul Gaultier said they gave the most emotionally real performances of any film in the festival. He said he bawled his eyes out. This was the second time in three years that Hakeke won the Palme, after "The White Ribbon" in 2009.
And surprisingly, three out of four of my award speculations also won prizes. However, if you listened carefully to the reasoning of the Jury you can conclude that actually all four of the lineup would have won.
Haneke, Riva, Trintignant
• Chaz Ebert at Cannes
Who will win the Palme D'Or? I expect top prizes for Michael Haneke for his film, "Amour," with Jean-Louis Trintignant and Emmanuelle Riva, but I am terrible at the awards-guessing game. I think "Amour" is one of the very best films in the festival with its harrowing portrait of the mental and physical deterioration of an esteemed piano teacher after a series of strokes, and the husband who must bear witness to this as he takes cares of her.
Haneke's film is so mature and well done that its emotional impact builds quietly, from the core. You marvel at how he layers the scenes of a marriage so naturally that you know the couple has been together for decades in a relationship that is comfortable and emotionally enriching. And so when they make their choices you are right there with them emotionally until the bitter end, and there is no judgment about the choices made.
What we tried to do in this video was give an overall impression of Cannes--the films, the publicity, the crowds. This is the top convention city in France, and it's strange to think of the Palais as hosting car dealers or financial experts, but it does. Especially on the weekends, the city is jammed by tourists who have no hope of getting into a screening, but just like to hang around and see the stars walking up the steps on the famous red carpet.
Photographed and edited by Scott Dummler. Assistant producer, Sonia Evans. The photographs are by Scott.
• Chaz Ebert at Cannes
Dear Roger: "We were once indivisible from every atom in the cosmos," and that is how I feel when I am sitting in the Palais watching movies at Cannes with a screen spread out as wide as the galaxy, the audience circling around like protons and neutrons breathing as one in empathy.
To all those who have expressed concern about the future of "Ebert Presents at the Movies," thank you!
We are moved by the response from friends, bloggers, viewers, newspaper writers and even heavyweights in the industry stepping up in an incredible effort to rally support for Roger and the "Ebert Presents" show.
It is clear that this show is valued and respected for the quality of content and programming, and the contribution it makes to the fabric of our culture. We are also pleased that so many of you agree with us about the talents of Christy Lemire, Ignatiy Vishnevetsky and our contributors.
Director Laurent Cantet accepts the Palme d'Or, surrounded by his cast.
For the first time in 21 years, a French film has taken the top prize at the Cannes film festival, and in a rarity for Cannes, the Palme d’Or was awarded unanimously. The prize could have easily been named “The Golden Apple” rather than the The Golden Palm since it went to “The Class” ("Entre Les Murs"), the Laurent Cantet film about a young teacher who tries to reach his class of primarily immigrant children in a school on the outskirts of Paris. Confronted with their apathy and sometimes outright hostility, he questions them in a Socratic fashion until they begin to ask themselves if perhaps an education might be relevant to them. This film moved me to tears and so of course I thought that, in the grand tradition of Cannes, it had no chance of winning the top prize.