Great Movies
Festivals & Awards
Sundance 2020: Nine Days, Minari, The Evening Hour
On three U.S. Dramatic Competition films of Sundance 2020, including two of the year's best.
Brian Tallerico, the Managing Editor of RogerEbert.com, has covered television, film, video games, Blu-ray/DVD, interviews, and entertainment news for two decades online, on radio, and in print.
In addition, he is a TV writer for Vulture.com, a contributor at The Playlist, and freelancer for multiple outlets, including The New York Times, Rolling Stone, and GQ. He also serves as President of the Chicago Film Critics Association, co-produces the Chicago Critics Film Festival every May, and is a regular guest on radio stations and podcasts.
You can follow him on Twitter @Brian_Tallerico. Read his answers to our Movie Love Questionnaire here.
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On three U.S. Dramatic Competition films of Sundance 2020, including two of the year's best.
On two of the most-buzzed films of Sundance, A24's Zola and Neon's Palm Springs.
On three dark films from Sundance about the violence of the human condition.
On two Sundance films from the Midnight program, the excellent Relic and the promising Amulet.
On three of the most-buzzed docs of Sundance 2020, including the devastating latest from the directors of The Hunting Ground and The Invisible War.
A review of two Sundance stand-outs about creatives and the passive-aggressive wars they wage.
A review of three docuseries that premiered at Sundance - they're all great.
On two Sundance Dramatic Competition films.
A review of three films from the U.S. Documentary Competition program of Sundance.
A review of three star-studded films from Sundance.
