Ford v Ferrari
Ford v Ferrari delivers real cinema meat and potatoes.
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
Our Far-Flung Correspondents are cinephiles from all over the world, hand-picked by Roger Ebert to write about movies from their unique international perspectives. They include contributors from (alphabetically) Brazil, Canada, Egypt, Great Britain, India, Mexico, the Philippines, South Korea, Turkey and the U.S. They converge every year at Ebertfest.
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
"Life Itself," based on Roger Ebert's memoir and directed by Steve James, will open in theaters and be available On Demand on July 4, 2014.
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
A collection of tributes to Roger from various sources.
The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
LOS ANGELES - "We could have started our own franchise," Frank Yablans is quietly observing to himself. Out on the rainy playing field, illuminated by the big movie lights, 55 professional football players are slogging through the mud, running down to the goal posts and back, so they'll sound short of breath in the next shot. They are not yet too short of breath to use words that will not make it into Yablans' movie.
HOLLYWOOD - When he was asked to play the Sundance Kid in "Butch and Sundance: The Early Days," William Katt knew there was one thing he did not want to do. He did not want to see "Butch Cassidy and the Sundance Kid." He hadn't seen it when it came out in 1969, and he wasn't going to see it now: "I must have been doing something else in 1969. And now if I wanted to play Sundance, I wanted to be free to go at it without preconceptions, without the Robert Redford performance in my head."
HOLLYWOOD - It could be any office in a bungalow on a Hollywood back lot, but three things say it belongs to George Burns. There is a photograph of Gracie Allen on the wall, a large cigar humidor on the desk and a coffee mug that says "God."
T. PETERSBURG BEACH, Fla. - The old hotel rises next to the sea like a birthday cake on an acid trip. It is pink and white and impossibly ornamented with towers and gables, and out in front there are these enormous 6-foot lemons and bananas and watermelons. The hotel is named the Don CeSar Beach Hotel, and no cost was spared when it was constructed just in time to go bankrupt in the Depression. It sat empty for years, It housed Navy officers during the war, it was restored to its former grandeur in 1970, and now Robert Altman is shooting his next movie here.
HOLLYWOOD - It's this great big movie set with a tiny little girl in the middle of it. The set is an extravaganza on the back lot of Universal Studios, and it's supposed to look like a wire room for a bookie operation. It does.
A film critic at the New York Times walked out of "Dawn of the Dead" (1979) after the first 15 minutes, complaining of a pet peeve" against zombies.
It's not always easy, in the cutthroat world of Hollywood competition, to stick by your guns, direct only movies you believe in and remain personally
HOLLYWOOD - These are the biggest sound stages Paramount has, and just as well, too, because they're barely big enough to contain the awesome bulk of the Starship Enterprise. The ship is scattered about, of course; there's a wing on one sound stage and the space-drive mechanism in another, and here we are on a third stage, standing on the command deck of the great ship.
“Well, in fact, I’d not read the book,” James Mason was saying, “but one could hardly be alive and employed in the acting profession and not know that ‘The Boys from Brazil’ had two stupendous leading roles in it. Oscar material. And of course, always trying to improve my position, I was hoping one of them would fall in my lap.”
Bora Bora, Society Islands -- To get here you take off from Honolulu and fly into tomorrow, crossing the international date line for a refueling stop on Samoa. Then you fly back into yesterday and land on Tahiti, switch to an Air Polynesia flight to a coral landing strip, take a motorboat for another hour's journey, and arrive after dark at the island James Michener called the most beautiful in the world. It's a long way to go to visit a movie location, but then Dino De Laurentiis went a long way to shoot his movie.