God is destined to forever be a complicated subject for most mortals, yet there’s no question this film has made me a believer in the…
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
Our Far-Flung Correspondents are cinephiles from all over the world, hand-picked by Roger Ebert to write about movies from their unique international perspectives. They include contributors from (alphabetically) Brazil, Canada, Egypt, Great Britain, India, Mexico, the Philippines, South Korea, Turkey and the U.S. They converge every year at Ebertfest.
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
"Life Itself," based on Roger Ebert's memoir and directed by Steve James, will open in theaters and be available On Demand on July 4, 2014.
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
A collection of tributes to Roger from various sources.
The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
Vincent Canby of the New York Times selected "Four Friends" as one of the year's 10 best films. In the Los Angeles Herald Examiner, it was described as "an amazingly bad movie." It has been elsewhere praised as a masterpiece and damned as cornball dreck, and somewhere in the middle of all this commotion there resides, I believe, a small film treasure that is about as good as this sort of film can be.
Telluride, Colorado -- The most disturbing event at this year's Telluride Film Festival was a screening of scenes from a documentary-in-progress about Werner Herzog, the legendary West German director who has disappeared into the South American rain forest on what looks like a suicidal mission.
John Travolta came to Chicago on Friday. It was a little like a state visit, with tight security, police barricades and long black limousines speeding between luxury hotels and City Hall. Travolta, who is one of the two or three most popular box office attractions in the world, was here to promote his new, thriller, “Blow Out.” People were interested in the thriller, but fascinated by Travolta.
Sundance, Utah -- Up here above Provo, in the resort he has carved out of a little mountain meadow, Robert Redford is conducting an experiment that Hollywood regards with a mixture of suspicion and curiosity. He has selected 10 low-budget films that are in the middle-to-late stages of preparation and invited their directors to spend the summer at Sundance working on their scripts in the company of established directors, writers and editors.
Carmine Coppola's hand plunged into his coat pocket and emerged with a yellow Western Union envelope.
Jack Lemmon has got to be kidding when he says he doesn't resemble Scottie Templeton. He exactly resembles Scottie Templeton. But here he is denying it:
Park City, Utah - Up here in the mountains above the Great Salt Lake, everybody seemed to have a definition earlier this month of what an independent filmmaker was. It was just that nobody seemed to agree.
LOS ANGELES - "What the neighbors say," Shelley Duvall confided to me, "is that when Yvette Mimieux lived here, she kept leopards up here on her property and all sorts of other animals and a monkey that escaped and conducted a reign of terror against the poor people living down the hill." Yvette was an animal lover?
It was that troubled autumn of 1968 that John and Yoko came to Chicago, to show their new movie in the film festival. The shouts of the Democratic Convention had scarcely died down, and Woodstock had not yet been held, and "Hair" was onstage at the Shubert, and here was this goofy home movie by John and Yoko about a butterfly that took 26 minutes to fly in slow motion from one side of the screen to the other side of the screen.
Update, 2008: This 1980 interview is all quite true, but it entirely misses something. It must have happened at a different time, and I can't track down the piece. Here's what I remember. I had a one-on-one interview with Parton in a hotel suite. As we spoke, I found myself enveloped by her presence. This had nothing to do with sex appeal. Far from it. It was as if I were being mesmerized by a benevolent power. I left the room in a cloud of good feeling. Next day, Siskel and I were sitting next to each other on an airplane. "This will sound crazy," he said, "but when I was interviewing Dolly Parton, I almost felt like she had healing powers."