In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Zombieland: Double Tap

The vast majority of sequels are unnecessary, but Zombieland: Double Tap feels particularly so, especially coming out a decade after the original.

The Cave

Beyond the human need to hear and see these stories, it’s a beautifully shot documentary that’s as stunning as the images are harrowing.

Other reviews
Review Archives

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Other reviews
Great Movie Archives
Other articles
Far Flunger Archives

Channels

Interview with Matt Dillon

SANTA FE, NM - Matt Dillon is improbably handsome, a fact that has been noticed by several million teenage girls. He is the first star in a long time who inspires his fans to squeal aloud, which they are doing right now during his latest hit, "The Outsiders." It must be a little humbling for Francis Ford Coppola (who made "The Godfather" and "Apocalypse Now") to realize that his latest movie is No. 1 on Variety's current list of box office winners primarily because it stars a good-looking 18-year-old kid from Mamaroneck, NY.

Continue reading →

Harold Pinter

NEW YORK - The situation was so incongruous I wouldn't have missed it for the world. Here I was at one of those New York "press openings" for a new movie. The format was pretty standard. A hotel ballroom was filled with a half-dozen round tables, and each table held a half dozen movie critics. The producer, director, writer and star of the new film moved from table to table, answering questions for 15 minutes before it was time to switch.

Continue reading →

Interview with Jacqueline Bisset

If this were a scene in a movie, you'd know right away that it was the scene about the actress' last day in town. Jacqueline Bisset's two-room suite at the Sheraton Plaza was scattered with props for her departure. The bedroom floor was lined with trunks and suitcases, their lids tilted open, clothes tumbling out of them. Leaning against the wall in the living room was one of those big cartoonist's caricatures showing Jackie with a giant head balanced on top of a tiny body. It said, "Good Luck, Jackie!" and it was signed by all the members of the cast and crew of her latest film.

Continue reading →

Interview with Susan Sarandon & Wil Wheaton

LOS ANGELES - Wil Wheaton, a child actor who is 10 years old, sat on the edge of his chair and stirred his Coke with a straw. Susan Sarandon, an adult actor who had gotten up in the middle of the night with some kind of stomach flu, regarded him with a mixture of affection and nausea.

Continue reading →

Interview with Tom Wilhite

"Tron," the $19 million computer thriller from Walt Disney Productions, opened on July 9 around the country, and that was the day most of the nation's movie critics published their reviews. But the critics were beaten to the punch by an earlier reviewer, whose verdict on the movie appeared in July 8 editions, on financial pages. Ever since, the folks at Disney have been pounding their collective heads against the wall because of that advance review.

Continue reading →

The view from Woody Allen's window

NEW YORK -- It looked like a shrink's office. The sun was filtering through the curtains and the air conditioner hummed reassuringly, and, after a subtle moment of jockeying for position, I got the couch and Woody Allen took the big overstuffed, black leather chair.

Continue reading →

Interview with Mark Lester

ANNES, FRANCE - Halfway through the new high school horror movie "Class of 1984," certain members of the audience began slipping out of their seats and tiptoeing down the aisle into the lobby. It was hard to see them in the gloom, but they looked like standard Mediterranean businessmen in slippery gray sharkskin suits, patterned white silk shirts and the kind of glasses that automatically darken in the sunshine.

Continue reading →

Interview with Sybil Danning

CANNES, FRANCE - After a thorough and impartial search of the beaches, hotel lobbies and screens of the 35th annual Cannes Film Festival, I am pleased to announce my selection of the 1982 Cannes Sex Symbol of the Year. Previous winners have included Edy Williams, who rode naked atop a convertible through the old marketplace of this once sleepy little fishing village; Barbara Ferrera, who told me she would rather play a scene with a jaguar than with a man, and Bo Derek, who did not even need to attend the festival to win the honor.

Continue reading →