Once Upon a Deadpool
Not just a heavily redacted version of the film that will be playing around the clock on basic cable in a couple of years.
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
Our Far-Flung Correspondents are cinephiles from all over the world, hand-picked by Roger Ebert to write about movies from their unique international perspectives. They include contributors from (alphabetically) Brazil, Canada, Egypt, Great Britain, India, Mexico, the Philippines, South Korea, Turkey and the U.S. They converge every year at Ebertfest.
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
"Life Itself," based on Roger Ebert's memoir and directed by Steve James, will open in theaters and be available On Demand on July 4, 2014.
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
A collection of tributes to Roger from various sources.
The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
John Malkovich for Mr. Hyde, yes. But Gary Sinese, surely, for Dr. Jekyll? That's sort of the way the two actors positioned themselves a week or so ago, at a benefit for Steppenwolf Theater. Actors don't often like to talk publicly about their techniques; their typical answer is that they have no idea what they did in a performance, and not a clue about how they did it.
It is 2 a.m. in the disco on board the Holland-America cruise ship Ryndam, and Richard Corliss, the film critic of Time magazine, is onstage during the traditional karoke night of the 4th Almost Annual Floating Film Festival. To the tune of "Don't Be Cruel," he's singing his own lyrics, which involve recent developments in the Chinese cinema.
NEW YORK I went to the screening of Oliver Stone's "Nixon" expecting to see Atilla the Hun in a suit and tie. What I saw surprised me as much as anything this unpredictable director has ever done: a portrait of Richard Nixon that inspired a certain empathy for who he was, how he got to the highest place in the land and how he fell from it. The movie does not apologize, nor does it forgive, but it helps us understand. Oliver Cromwell asked that his portrait be painted "warts and all." Nixon had more warts than most, but what Stone has done with his portrait may amaze Nixon's enemies more than his friends.
Howard Higman, who liked to be part of a good conversation, died last week in Boulder, Colo.
I'm analyzing Jack Nicholson's career for him. He's frowning behind a cloud of cigarette smoke and trying to look interested. We're sitting in a room at the Excelsior Hotel at the Venice Film Festival, the day after the premiere of "The Crossing Guard," his new movie which was directed by his pal Sean Penn. Nicholson plays a man who wants to kill the drunk driver who ran over his little girl. The irony is, he's a drunk, too. It's a very serious picture.
Louis Malle, who died last week at 63, was a director whose movies caused scandal sometimes for their content, sometimes for their style, sometimes for both. The respected French filmmaker, married since 1980 to actress Candice Bergen, died Thursday at their home in Los Angeles, from lymphoma.
Elisabeth Shue played the girlfriend of "The Karate Kid." And the girlfriend who got marooned in time in the second and third "Back to the Future." And the baby-sitter in "Adventures in Babysitting." And Tom Cruise's girlfriend in "Cocktail" (Leonard Maltin wrote: "Shue is cute, but that can't redeem the junior-high-school-level dramatics.") Nothing in her 10-year career to date would even remotely suggest her for the role of a Las Vegas hooker who falls in love with a man who has come to town to drink himself to death.
It's the morning after the world premiere of "Leaving Las Vegas" at the Toronto Film Festival in September, and I am still under the spell of this remarkable film. It stars Nicolas Cage as a man who loses his family and his job, and moves to Las Vegas with the intention of drinking himself to death.
VENICE, Italy When Mira Sorvino was trying to decide what to do with her life, her father advised her not to try acting if there was anything else she liked better. Her father, of course, is the actor Paul Sorvino, a star in "Reds," "GoodFellas" and about 30 other films.
In the autumn march of film festivals, Chicago's comes after Montreal, Telluride and Venice, and is held at about the same time as New York. All of these festivals are essentially fishing in the same pond, so the remarkable thing about the 31st annual Chicago event is how many new or unfamiliar titles have been discovered.