Knightley gives one of her best performances as a girl with spirit and talent who becomes a woman with ferocity and a voice
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
Our Far-Flung Correspondents are cinephiles from all over the world, hand-picked by Roger Ebert to write about movies from their unique international perspectives. They include contributors from (alphabetically) Brazil, Canada, Egypt, Great Britain, India, Mexico, the Philippines, South Korea, Turkey and the U.S. They converge every year at Ebertfest.
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
"Life Itself," based on Roger Ebert's memoir and directed by Steve James, will open in theaters and be available On Demand on July 4, 2014.
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
A collection of tributes to Roger from various sources.
The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
It is one of the oddest performances of recent years, an exercise in mannered behavior that has the audience snickering with disbelief before they realize it's all right to laugh because, in a way, it's supposed to be funny. The performance is by Jeremy Irons in "Reversal of Fortune," where he plays Claus von Bulow, a man accused of attempting to murder his wife.
Bill Murray dribbled into the hotel suite and sank the basketball in a chair in the corner. He was wearing your average after-school jock's uniform of jeans, a T-shirt, and designer running shoes, and he said he needed a shave. He disappeared into the bathroom and then stuck his face out again, covered with lather, and asked, "How do you plan to explain your one-star review of 'Scrooged'?"
Between Beverly Hills and the Valley. He came around a curve and saw a car coming straight at him - a driver trying to pass five cars. On one side of Beatty was oncoming traffic. On the other side was a 100-foot drop.
CANNES, France -- This is the second chapter of a story that began last January. Here at Cannes, a movie named "Longtime Companion" is gaining good reviews from the European critics, and it's one of the hottest tickets at this year's film festival. It opened May 11 in New York to SRO business, set some box-office records, and will be rolling out nationally on Friday.
LOS ANGELES -- Helen Mirren remembers that she took a deep breath after she read the screenplay for "The Cook, the Thief, His Wife, and Her Lover," and then she thought, "Well, yes, it is a dangerous film. It's deep and complex and we're not skating around any issues. It's on the cutting edge, quite apart from the content -- look at the style of the filmmaking, the artificiality of it, the strangeness of the dialogue. I knew it was dangerous, but I didn't think it was that dangerous. You know, that X-rated thing, because that's a different kind of thing altogether."
The movie is called "Blue Steel," and Jamie Lee Curtis stars in it as a female cop who can't convince her superiors that a psychopath is trying to kill her. But first he wants to scare her. So he materializes out of shadows and from behind parked cars and from darkened stairways, and he toys with her emotions until she's a basket case. Meanwhile, he's murdering other people all over town--and when the cops dig the bullets out of the dead bodies, they all have her name etched on them.
Angered by the omission of "Roger & Me" from the list of nominees for this year's Academy Awards, leading documentary filmmakers are circulating a letter of protest to the Motion Picture Academy, calling for revision of the selection process, and a write-in vote for the film. At the same time, a controversy is developing over the role of one of the members of the Academy's documentary selection committee - whose own company holds the distribution rights to three of this year's five nominees.
LOS ANGELES -- When Steven Spielberg's "Indiana Jones and the Last Crusade" begins turning up in video stores in late January, the video industry will be watching the sales figures with intense curiosity. Not because there's any suspense over the film's popularity - it's expected to sell millions of copies. But because this will be an acid test for the controversial practice of "letterboxing."
Where do I start? With his tattooed lady? With how he hugged the mongoloid children to coax performances from them? Perhaps with the elephant's funeral, when the enormous casket went tumbling down the hillside, and the shanty people tore it open to get at the fresh meat inside?
LOS ANGELES -- We were sitting in the corner of a hotel room, and the lights had been turned off, and the cold December twilight was sifting in through the window, and William Hurt was talking in that introspective way of his -- musing about his ideas as he explained them.