Jurassic World: Fallen Kingdom
This is a movie that’s annoying in part because it doesn’t care if you’re annoyed by it. It doesn’t need you, the individual viewer, to…
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
Our Far-Flung Correspondents are cinephiles from all over the world, hand-picked by Roger Ebert to write about movies from their unique international perspectives. They include contributors from (alphabetically) Brazil, Canada, Egypt, Great Britain, India, Mexico, the Philippines, South Korea, Turkey and the U.S. They converge every year at Ebertfest.
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
"Life Itself," based on Roger Ebert's memoir and directed by Steve James, will open in theaters and be available On Demand on July 4, 2014.
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
A collection of tributes to Roger from various sources.
The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
CANNES, FRANCE -- The great galleon Neptune rides high in the old yacht harbor, attracting thousands of gawkers who admire its weathered timbers, its 18th century riggings and its bizarre 20-foot figurehead. But Roman Polanski's "Pirates," the movie that used this ship as a prop and location, sank on launching at this year's Cannes Film Festival.
NEW YORK -- Eric Roberts has an agent who lives nine stories above Seventh Avenue, near Times Square, in one of those old brick buildings filled with the offices of private eyes and mysterious import-export operations.
Sid Vicious was angry most of the time about something, but this night he was particularly mad because he was a f - - -ing rock 'n' roll star and Malcolm McLaren had him on rations of eight pounds a week -- about $14. We were in Russ Meyer's rented car, driving down the Cromwell Road in London, and Vicious told Meyer to pull over in front of a late-night grocery so he could lay in some provisions.
NEW YORK -- The sky crouched low and gray over Central Park, and hard little snowflakes blew against the glass doors of Woody Allen's penthouse. He once put a camera up here and photographed the New York skyline for the opening shots of his movie "Manhattan," with the lush romanticism of Gershwin's "Rhapsody in Blue" playing on the sound track. Today, something by Beethoven would have been more appropriate. He was worried about his girlfriend, Mia Farrow."Mia has this terrible thing that's been going around," Allen said, sticking his hands deep into his corduroy pockets and looking unhappily at the dark clouds. "She's been in bed for weeks. This awful flu. She's taking everything. Dristan, Advil, aspirin. I had it, too, but she has it the worst. After we finish up here, I'm going to spend the rest of the day nursing her." I had arrived at the appointed hour to talk about "Hannah and Her Sisters," Woody Allen's new movie, opening Friday in Chicago. It already is being talked about as the best movie he has ever made. I sensed that the good reviews were not going to add much cheer to the morning. This did not depress me. Woody Allen always sounds a little dubious, a little distrustful, when he is talking about cheerful things. He is at his best and most quotable when things look the worst.
On one of the coldest nights of winter, Sybil Danning came chattering into a Sichuan restaurant wearing skintight leather pants and a blazer that was cut all the way down to the South Pole.
New York – “I wanted to see it for the first time in a room all by myself,” Whoopi Goldberg was saying. “Nobody else would understand the things that would drive me crazy.”
At Christmas time last year, as he has every year since her death, Russ Meyer went to visit his mother's grave. On trips around the country, he often visits the gravesides of old Army buddies, and those who are still living can count on a ticket from him if they can't afford the fare to the Signal Corps reunion he hosts every year.
The Chicago International Film Festival turns 21 in 1985, and as its birthday approaches, these are some memories from its long coming-of-age:
TORONTO, Canada - There is a time when a film festival looks just like a convention of hardware dealers, and that time is at 2 in the morning in the hotel hospitality suite when everyone has collapsed exhausted onto the couches and started to contemplate the possibility of dawn. Into the gloom that was enveloping him, the film director Paul Schrader poured a glass of Canadian whiskey. He was scheduled to have breakfast with me at 8:30 a.m., but now he thought it over and said it might be better if we just went ahead and talked now, because he doubted that he would make any sense in the morning.
TELLURIDE, Colo. - "It was one of the greatest records I had ever heard," Terry Zwigoff remembered. "I knew I had to find out who had made it, and whether they were still alive."