Jane Fonda in Five Acts
Director Susan Lacy has the great advantage of a subject whose life has been extensively documented literally since birth.
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
Our Far-Flung Correspondents are cinephiles from all over the world, hand-picked by Roger Ebert to write about movies from their unique international perspectives. They include contributors from (alphabetically) Brazil, Canada, Egypt, Great Britain, India, Mexico, the Philippines, South Korea, Turkey and the U.S. They converge every year at Ebertfest.
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
"Life Itself," based on Roger Ebert's memoir and directed by Steve James, will open in theaters and be available On Demand on July 4, 2014.
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
A collection of tributes to Roger from various sources.
The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
CANNES, France -- On the day that he won the best actor award at the Cannes Film Festival, Sean Penn sat with his wife, Robin Wright, and co-star John Travolta and talked about the spirit of John Cassavetes.
Dennis Rodman, star of basketball, movies, books and pro wrestling, is still a little stunned by the spotlight. Before the premiere of "Double Team," the new Jean-Claude Van Damme action thriller where he gets second billing, he mused about his function as a publicity-generating machine: "I never ever expected that my career would turn into such a media hype: In San Antonia, I was doing the same thing, but I guess the media are stronger in Chicago, and being linked with Michael Jordan and a championship team didn't hurt."
PARK CITY, Utah I saw a group of interesting films about African Americans at this year's Sundance Film Festival, the big annual showcase for new independent films. And as I sat down to write about them, I realized that black films in America have long been "independent." Only recently, with a new generation of stars, have they moved into the studio mainstream.
PARK CITY, Utah -- "Sunday," the story of a homeless man who is mistaken for a movie director by a failing British actress who courts him for a day, won the Sundance Film Festival and the Waldo Salt screenwriting award.
PARK CITY, Utah "Prefontaine" breaks most of the rules of the sports movie genre. It's about a runner who did not win his big race, who was abrasive and cocky and not always a nice guy, and who led a rebellion against the amateur sports establishment of the early 1970s.
PARK CITY, Utah--Europeans tend to view Americans as perpetual teenagers, and maybe they have a point. If you were to judge the world on the basis of the movies at this year's Sundance Film Festival, the typical American is a troubled teenager and the typical European or Japanese is an adult confronting basic questions of life.
PARK CITY, Utah --The theme song of the opening days of this year's Sundance Film Festival should have been "Get a Job." I've seen six American films so far, all of them about characters mired in aimless unemployment or unsatisfying work. Oh, and I saw a Czech film too: That was about a man in Prague who is kicked out of the philharmonic and reduced to playing his cello at funerals.
PARK CITY, Utah -- The most important little film festival in America opened here Thursday. The Sundance Film Festival, the annual trade fair for filmmakers working outside the studio system, will screen more than 100 films before industry-savvy audiences. People who got off the plane flat broke may fly out of town, clutching contracts. Maybe if we're lucky, there will even be another shoving match in a restaurant, like the one last year between guys from Fine Line and Miramax who both thought they bought the rights to the same film.
LOS ANGELES--Madonna, who has always insisted she was the best choice to play Eva Peron, may have been right. It is not only that she holds the screen with charisma and force in the film version of "Evita," but that she understands from the inside out how Evita invented herself - how she used fashion and stage presence and personal flair to make herself seem bigger than life.
In Rome Thursday night, they turned off the water in the Trevi Fountain and draped the monument in black, in memory of Marcello Mastroianni. The Italian actor, who died early Thursday at his Paris home, made about 120 films, but was best remembered for Federico Fellini's "La Dolce Vita" (1960), in which he waded into the fountain in pursuit of an elusive sex goddess played by Anita Ekberg.