Jane Fonda in Five Acts
Director Susan Lacy has the great advantage of a subject whose life has been extensively documented literally since birth.
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
Our Far-Flung Correspondents are cinephiles from all over the world, hand-picked by Roger Ebert to write about movies from their unique international perspectives. They include contributors from (alphabetically) Brazil, Canada, Egypt, Great Britain, India, Mexico, the Philippines, South Korea, Turkey and the U.S. They converge every year at Ebertfest.
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
"Life Itself," based on Roger Ebert's memoir and directed by Steve James, will open in theaters and be available On Demand on July 4, 2014.
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
A collection of tributes to Roger from various sources.
The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
NEW YORK--There is no greater American filmmaker right now than Martin Scorsese, and hasn't been for some time, perhaps since Welles and Hitchcock and Ford died, and yet to talk with him is like meeting this guy who hangs out all the time at the film society.
My first memory, when I heard that David Bradley was dead, was of him drop-kicking a footstool across the living room. Bradley, 77, who died Dec. 19 in Los Angeles, was one of the legendary eccentrics of the film world, irascible and beloved. He launched the career of Charlton Heston, amassed one of the great private film archives and toasted the survivors of silent films at his legendary New Year's Day parties.
LOS ANGELES -- I walked in to talk to Pam Grier with these words of Quentin Tarantino fresh in my mind:
LOS ANGELES Has any other movie director become this famous after making only two movies? Well, yes - Orson Welles. But Welles was already a star when he went to Hollywood. Quentin Tarantino came out of next to nowhere and became famous because he made two of the most influential movies of the past five years, and because . . . well, because he tickles people.
There is a kind of shyness, a modesty, about Francis Ford Coppola that is so surprising. Here is the director of "The Godfather," and the epic "Apocalypse Now," and the paranoid psychodrama "The Conversation," and he talks about whether he has the right to put his name above the title. Kids out of film school put their names on their first films, and here he is explaining why his movies are called "Mario Puzo's The Godfather" and "Bram Stoker's Dracula" and "John Grisham's The Rainmaker."
HONOLULU -- "Twelve Storeys," a film from Singapore about the residents of government-subsidized high-rise housing, won the Golden Maile Award here last week at the 17th Hawaii International Film Festival. Directed by Eric Khoo, the film involves three families who are affected by the suicide of a building resident. The film raises questions about the tightly controlled Singapore society, in which the government provides security, but demands control.
She is the queen of the British period pictures, the forceful heroine with the flashing eyes and the knack of looking as if she's worn those costumes all her life. Helena Bonham Carter has played Lady Jane Grey and Ophelia, and the heroines of Forster's "Room With a View" and "Howard's End," and the evil doctor's lover in "Mary Shelley's Frankenstein," and Olivia in "Twelfth Night," and if she somehow missed starring in one of the Jane Austen adaptations, now here she is as Kate Croy, a woman prepared to loan out the man she loves, in Henry James' "The Wings of the Dove."
There has been no more assured and powerful film debut this year than "Eve's Bayou," the first film by Kasi Lemmons. Reviewers have compared it to work by Tennessee Williams, Carson McCullers and other Southern Gothic writers; it reminded me of a family drama by Ingmar Bergman. It's made of memories that still have the power to wound. Its shadows contain secrets that will always hurt.
Paul Thomas Anderson has made perhaps the best film of 1997, and at age 27 is getting the kind of attention no young director has had since Quentin Tarantino erupted. His "Boogie Nights," which follows a cast of colorful characters through six eventful years in the adult film industry, is the year's best-reviewed film - a hit at the Toronto and New York film festivals - and is now opening around the country.
W ith a new home (six screens all at one location) and a streamlined schedule, the 33rd annual Chicago International Film Festival has programmed no less than 53 screenings on this, its opening weekend. All showings will be at the new Cineplex Odeon theaters atop 600 N. Michigan, and one way to attend the festival might be to hang out in the lobby and listen to the buzz.