The year is not even two weeks old but it already has one electrifyingly brilliant film to its credit.
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
Our Far-Flung Correspondents are cinephiles from all over the world, hand-picked by Roger Ebert to write about movies from their unique international perspectives. They include contributors from (alphabetically) Brazil, Canada, Egypt, Great Britain, India, Mexico, the Philippines, South Korea, Turkey and the U.S. They converge every year at Ebertfest.
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
"Life Itself," based on Roger Ebert's memoir and directed by Steve James, will open in theaters and be available On Demand on July 4, 2014.
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
A collection of tributes to Roger from various sources.
The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
The audience was almost entirely seated when the big old white-haired man came down the side aisle. There was applause, and John Ford's loud "thank you" cracked like a whip through the auditorium.
Hollywood - The day before he won his Academy Award, Rod Steiger sat on the bank of a lake hidden up in the hills and said. "Of course I want to win. I don't know anybody who wants to lose."
HOLLYWOOD - The supporting actor is always the guy who does the wrong thing and gets the hero in hot water. You can bet Clyde Barrow wouldn't have parked that getaway car. And think of the grief Marty would have avoided if it hadn't been for that wise guy who said, "I dunno, Marty. Whada you wanna do tonight?"
"Rebellion is one thing," Ossie Davis said. "Rebellion works some times in some places. But year in and year out, you can get more mileage out of wisdom and cunning. If you can't outfight the man, outsmart him."
The announcer asked for another round of applause, and got it, and Tempest Storm took her last curtain call. Then the house lights went on and the audience started to leave.
"You get all kinds, Liza Minnelli said. "A couple of days ago I was interviewed by a guy from the Los Angeles underground press. He didn't exactly ask me what I ate for breakfast.
Stella Stevens swept into Fritzel's wearing a white crocheted dress, which swept in a quarter of an inch later.
Suite 1705 of the Ambassador East Hotel includes a glass-enclosed luncheon porch overlooking the city. There are windows on three sides. On the fourth, there are steps that lead back into the living room. From there you go out into the hall down the elevator and back to reality.
With the lithe grace of a seasoned athlete, Peter Finch lifted the tea bag from the teapot and, holding it by the trademark at the end of its string, dropped it into an ashtray. His aim was accurate, and he permitted himself a dour smile.
Robert Blake said he was fed up with being interviewed and smiling at strangers. He wanted to go someplace and listen to loud music. Fate led him to The Store, that famous Rush Street place where all the young folk congregate who aren't getting any younger.