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Jane Fonda in Five Acts

Director Susan Lacy has the great advantage of a subject whose life has been extensively documented literally since birth.

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Fahrenheit 11/9

The messiness of Moore’s film starts to feel appropriate for the times we’re in. With a new issue being debated every day, is it any…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Archivist Bradley was a true Hollywood classic

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My first memory, when I heard that David Bradley was dead, was of him drop-kicking a footstool across the living room. Bradley, 77, who died Dec. 19 in Los Angeles, was one of the legendary eccentrics of the film world, irascible and beloved. He launched the career of Charlton Heston, amassed one of the great private film archives and toasted the survivors of silent films at his legendary New Year's Day parties.

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One on one with Quentin

LOS ANGELES Has any other movie director become this famous after making only two movies? Well, yes - Orson Welles. But Welles was already a star when he went to Hollywood. Quentin Tarantino came out of next to nowhere and became famous because he made two of the most influential movies of the past five years, and because . . . well, because he tickles people.

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Coppola looks forward to his own films

There is a kind of shyness, a modesty, about Francis Ford Coppola that is so surprising. Here is the director of "The Godfather," and the epic "Apocalypse Now," and the paranoid psychodrama "The Conversation," and he talks about whether he has the right to put his name above the title. Kids out of film school put their names on their first films, and here he is explaining why his movies are called "Mario Puzo's The Godfather" and "Bram Stoker's Dracula" and "John Grisham's The Rainmaker."

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Hawaii fest honors films of Pacific Rim

HONOLULU -- "Twelve Storeys," a film from Singapore about the residents of government-subsidized high-rise housing, won the Golden Maile Award here last week at the 17th Hawaii International Film Festival. Directed by Eric Khoo, the film involves three families who are affected by the suicide of a building resident. The film raises questions about the tightly controlled Singapore society, in which the government provides security, but demands control.

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Helena Bonham Carter: Queen of the period picture

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She is the queen of the British period pictures, the forceful heroine with the flashing eyes and the knack of looking as if she's worn those costumes all her life. Helena Bonham Carter has played Lady Jane Grey and Ophelia, and the heroines of Forster's "Room With a View" and "Howard's End," and the evil doctor's lover in "Mary Shelley's Frankenstein," and Olivia in "Twelfth Night," and if she somehow missed starring in one of the Jane Austen adaptations, now here she is as Kate Croy, a woman prepared to loan out the man she loves, in Henry James' "The Wings of the Dove."

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Kasi Lemmons makes powerful debut as director

There has been no more assured and powerful film debut this year than "Eve's Bayou," the first film by Kasi Lemmons. Reviewers have compared it to work by Tennessee Williams, Carson McCullers and other Southern Gothic writers; it reminded me of a family drama by Ingmar Bergman. It's made of memories that still have the power to wound. Its shadows contain secrets that will always hurt.

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Director's talent makes 'Boogie' fever infectious

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Paul Thomas Anderson has made perhaps the best film of 1997, and at age 27 is getting the kind of attention no young director has had since Quentin Tarantino erupted. His "Boogie Nights," which follows a cast of colorful characters through six eventful years in the adult film industry, is the year's best-reviewed film - a hit at the Toronto and New York film festivals - and is now opening around the country.

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Chicago Film Fest lines up eye- popping array of films

W ith a new home (six screens all at one location) and a streamlined schedule, the 33rd annual Chicago International Film Festival has programmed no less than 53 screenings on this, its opening weekend. All showings will be at the new Cineplex Odeon theaters atop 600 N. Michigan, and one way to attend the festival might be to hang out in the lobby and listen to the buzz.

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