Jurassic World: Fallen Kingdom
This is a movie that’s annoying in part because it doesn’t care if you’re annoyed by it. It doesn’t need you, the individual viewer, to…
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
Our Far-Flung Correspondents are cinephiles from all over the world, hand-picked by Roger Ebert to write about movies from their unique international perspectives. They include contributors from (alphabetically) Brazil, Canada, Egypt, Great Britain, India, Mexico, the Philippines, South Korea, Turkey and the U.S. They converge every year at Ebertfest.
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
"Life Itself," based on Roger Ebert's memoir and directed by Steve James, will open in theaters and be available On Demand on July 4, 2014.
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
A collection of tributes to Roger from various sources.
The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
NEW YORK -- Tim Burton looks like one of his characters, like Edward Scissorhands perhaps, with his tangled thicket of hair and his hands that wave helplessly in all directions at once. He is the most unassuming of directors, amused by his own peculiarities, and although he is 30-ish, you get the impression he is still healing the wounds he received in junior high school.
TORONTO -- There is no entry in the Random House Encyclopedia for "The Little Flower," but a Catholic hearing the name will immediately recognize it. Therese de Lisieux lived from 1873 to 1897, practiced great humility in her life, and became a saint almost by acclamation. She would probably be astonished that generations of Catholic girls venerate her as fervently as young Catholic boys these days venerate Michael Jordan.
CHARLOTTESVILLE, VA -- He arrives dressed in an elegant dark blue pinstripe suit, but he will not be mistaken for a banker. There is a touch of the raffish about Robert Mitchum, a sense that the rules were made to amuse him.
Toronto, Canada -- A kid is sitting on his front stoop in the Bronx when two guys get into a fight over a parking space. One pulls out a baseball bat. The other one pulls out a gun and shoots the first guy dead. The kid sits there wide-eyed and sees everything, and the killer notices him, and looks at him, hard, and the kid gets the message: In the neighborhood, nobody is lower than a squealer.
TELLURIDE, Colo. She has the face of an angel, and she plays roles from hell: That describes the acting career of Jennifer Jason Leigh, who was honored in a tribute here at the Telluride Film Festival.
TELLURIDE, Colo. -- The moment that best captured this year's Telluride Film Festival came when three musicians from Cambridge, Mass., were creating a percussion thunderstorm during a silent film from Germany, while a real thunderstorm boomed outside.
TELLURIDE, Colo. So here she was, a best-selling author who hardly ever goes to the movies, in the middle of a film festival and promoting a movie. Amy Tan confessed she was having a good time. The author of The Joy Luck Club, one of the most popular novels of recent years, was here for the premiere of the film version of her story.
TELLURIDE, Colo. -- The Telluride Film Festival, which honors three people with tributes every year, honored a missing person in 1984. The program was titled "Where Is John Alton?" and it showed clips from the work of one of Hollywood's greatest mystery men, a cinematographer who worked both sides of town - from low-budget film noir to an Academy Award for "An American in Paris" - before disappearing in 1960.
HAMMOND, Ind. -- The courtroom in Hammond's City Hall looks like your typical courtroom. Or then again, maybe it doesn't. A motto on the wall behind the bench reads:
John Singleton is one of those rare directors who would just as soon talk about other people's movies as about his own. He was in Chicago to promote his new film, "Poetic Justice," which is a good film and in some ways, a brave one, and he talked about it, all right - and why there are so few films about black women, and why Janet Jackson surprised him in the leading role.