The first must-see movie of 2018.
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
Our Far-Flung Correspondents are cinephiles from all over the world, hand-picked by Roger Ebert to write about movies from their unique international perspectives. They include contributors from (alphabetically) Brazil, Canada, Egypt, Great Britain, India, Mexico, the Philippines, South Korea, Turkey and the U.S. They converge every year at Ebertfest.
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
"Life Itself," based on Roger Ebert's memoir and directed by Steve James, will open in theaters and be available On Demand on July 4, 2014.
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
A collection of tributes to Roger from various sources.
The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
HOLLYWOOD - These are the biggest sound stages Paramount has, and just as well, too, because they're barely big enough to contain the awesome bulk of the Starship Enterprise. The ship is scattered about, of course; there's a wing on one sound stage and the space-drive mechanism in another, and here we are on a third stage, standing on the command deck of the great ship.
“Well, in fact, I’d not read the book,” James Mason was saying, “but one could hardly be alive and employed in the acting profession and not know that ‘The Boys from Brazil’ had two stupendous leading roles in it. Oscar material. And of course, always trying to improve my position, I was hoping one of them would fall in my lap.”
Bora Bora, Society Islands -- To get here you take off from Honolulu and fly into tomorrow, crossing the international date line for a refueling stop on Samoa. Then you fly back into yesterday and land on Tahiti, switch to an Air Polynesia flight to a coral landing strip, take a motorboat for another hour's journey, and arrive after dark at the island James Michener called the most beautiful in the world. It's a long way to go to visit a movie location, but then Dino De Laurentiis went a long way to shoot his movie.
Hollywood, California – Up on the Sunset Strip, the giant billboards march from Hollywood to Beverly Hills. They average 1,200 square feet in size – gigantic outdoor pop art monuments to Donna Summers and the Bee Gees, Peter Frampton and “Grease."
NEW YORK -- So there I was, sitting in Woody Allen’s living room, up in the penthouse overlooking Central Park, waiting for Woody and meditating on the dimensions of his talent. There must not be, I decided, many people who can simultaneously star in their own comic strip and make a movie the critics call Bergmanesque… and then of course there’s Woody the jazz clarinetist, and Woody’s Academy Award for “Annie Hall,” and the first prize in the O. Henry Awards that one of his New Yorker short stories won this year. How can a guy this successful still be seeing an analyst? How could I get the name of his shrink?
After the film festival thing, William Holden said, “I flew back to the States on the Concorde. There was this guy sitting next to me who pulled out a pocket calculator, and so I asked him to figure out something for me. If I'd covered 16,486 miles in 73 hours, I said, how many miles an hour was my body averaging?”
Cannes, France –- This time last year, the betting for best actress in the Cannes Film Festival was solidly on Isabelle Huppert. It is again this year, too. The solemn-faced young French actress with the big eyes and the remarkable subtlety is the early "best actress" favorite for her performance in the title role of Claude Chabrol's "Violette Noziere."
Grand Rapids, Michigan – “I like to fire a movie like a bullet,” Paul Schrader was explaining, as if he were making death threats, not screenplays. “Then I stay with it until it hits its target.”
Hollywood, California – “It all comes down to one very simple fact,” Paul Mazursky was explaining. “Betsy and I have been married for 24 years, and during that time almost all of our friends have been divorced. The usual way these things work out is that, after the divorce, you find yourself either seeing more of the woman, or more of the man: It's hard to stay neutral.
“You know where this movie goes?” Yaphet Kotto was asking. “It goes right past ‘On the Waterfront,' that's where it goes. Paul Shrader took that ‘Waterfront' myth and smashed it, that's what he did. I like this picture so much, I even went to see it. It's the first movie I've ever been in that I went to see.”