Darkest Hour stands apart from more routine historical dramas.
Michał Oleszczyk catches up with two takes on troubled youth: François Ozon's "Young & Beautiful" and Sofia Coppola's "The Bling Ring."
Ben Kenigsberg reviews the new sci-fi reverie from the director of "Waltz with Bashir."
Michał Oleszczyk contrasts the opulent excess of opening night film "The Great Gatsy" with the grimmer realities of Amat Escalante's "Heli."
Power is rarely discussed at Cannes, and it’s ostensibly all about art, although careers can hang on critics’ approval, and whether films are sold here, and to how many regions of the world. The annual jury press conference on the opening day is the first and foremost love-fest in which the concept of competition is downplayed and jurors find novel ways to sidestep the question of comparing one film to another in order to award the Palme d’Or in ten days.
Ben Kenigsberg looks forward to the parallel programs at this year's Cannes Film Festival.
As Cannes 2013 gets underway, blogger and filmmaker Scout Tafoya offers another in his series of video essays on pivotal years at the Cannes International Film Festival. This video looks at 2010, a recent vintage but already recognized as a distinctive year for the festival. You'll also want to check out Scout's video essays on Cannes 1960 and Cannes 1968. Fifty years after "L'Avventura"'s disastrous debut screening at Cannes,
For the second in his ongoing series, filmmaker and blogger Scout Tafoya looks at the remarkable Cannes Film Festival of 1968, when the festival came to a screeching halt in the face of real-world upheaval. (Check out his amazing look at Cannes 1960 here.)The complete transcripts:Part 1
As the 66th Cannes International Film Festival gets underway, blogger and filmmaker Scout Tafoya looks back at some especially notable years at the festival with a series of video essays.
Barbara Scharres sets the stage the 66th annual Cannes Film Festival.