Darkest Hour stands apart from more routine historical dramas.
Michał Oleszczyk talks with director James Gray about "The Immigrant."
Ben Kenigsberg makes his predictions for Sunday night's Cannes awards.
Roman Polanski's "Venus in Furs" served as a perfect closing movie of this year's Main Competition at Cannes.
It's time once again fro Barbara Scharres' annual award for Best Feline Performance of the Cannes Film Festival.
When Chaz has gone to Cannes without Roger in the past, she has written about the festival in the form of letters and postcards to Roger. This is her second post of the 2013 Cannes Film Festival.
James Gray's "The Immigrant" maintains a tight focus on the Ellis Island experience, and Mohammad Rasoulof's "Manuscripts Don’t Burn" dramatizes the inside of the cruel Iranian secret service.
Will Michael Douglas take home a Best Actor prize from Cannes for his turn as Liberace in "Behind the Candelabra"?
Bruce Dern and Will Forte reminisce about their father-son road trip in Alexander Payne's "Nebraska."
Jerry Lewis returns to Cannes in a starring role in Daniel Noah's "Max Rose," which proves once again — as "The King of Comedy" did — that Lewis can deliver a nuanced serious performance.
Alexander Payne's "Nebraska" brings black and white, to the competition, while "Omar" delivers moral shades of gray to the Palestinian/Israeli conflict and "Michael Koolhaas" looks good in the long shots, but needs more emotional subtlety.