The messiness of Moore’s film starts to feel appropriate for the times we’re in. With a new issue being debated every day, is it any…
Roger Ebert became film critic of the Chicago Sun-Times in 1967. He is the only film critic with a star on Hollywood Walk of Fame and was named honorary life member of the Directors' Guild of America. He won the Lifetime Achievement Award of the Screenwriters' Guild, and honorary degrees from the American Film Institute and the University of Colorado at Boulder.
Chaz is the Publisher of RogerEbert.com and a regular contributor to the site, writing about film, festivals, politics, and life itself.
Matt Zoller Seitz is the Editor at Large of RogerEbert.com, TV critic for New York Magazine, the creator of many video essays about film history and style, a finalist for the Pulitzer Prize in criticism, and the author of The Wes Anderson Collection. His writing on film and TV has appeared in The New York Times, Salon, New York Press, The Star-Ledger and Dallas Observer. (Banner illustration by Max Dalton)
Ebert's Best Film Lists 1967 - present
NEW YORK -- It was clear, after all the years of publicity and months of controversy, that "Malcolm X" had better be a good movie, or Spike Lee would go down with it. He had talked the talk, and now it was time to walk the walk.
For a newspaper, there is an element of irony involved in writing about dirty words. You may just have come from seeing "Glengarry Glen Ross," with its litanies and riffs of four -letter words, but in this newspaper, the closest you will get to them is a "- - - -." Apart from certain exceptions such as the testimony in the Thomas-Hill hearings, newspapers have not lowered the barricades against expletives.
"Gone With the Wind" had one dirty word. "Casablanca" had none, even though it took place in a bar. "Scarface" had more than 500. "Glengarry Glen Ross," the new film written by David Mamet, doesn't top the "Scarface" over-all total, but places first in one category, the number of times it employs the word beginning with "f."
The adventure was over. Soon,
They are a couple for the '90s, he in latex, she in leather, he with pointy ears, she with slashing claws. Beneath their retro evening costumes, of course, they are a mass of neuroses: Batman is the quintessential lonely guy, and Catwoman is the victim of office sexism, who explodes in anger after she is harassed one time too many.
BOULDER, Colorado -- Do not read one more word unless you're one of those weirdos who can find a hidden meaning in anything. What follows is a close viewing of "The Silence of the Lambs" in which we will discover more in the film than even its director, Jonathan Demme, knows he included. We may even find more in the film than is there.
"Casablanca" is The Movie.
The new thriller "Basic Instinct" is under attack from a gay coalition because all of the women in it are possibly lesbian thrill-killers. Enough is enough, the coalition says. Hollywood has been casting homosexuals in bizarre and depraved roles for so long now that maybe it's time to add a little balance to the picture.
If you remember Edward James Olmos as the high school math teacher in "Stand and Deliver," the 1988 movie that won him an Oscar nomination, you remember a gentle, stooped man with his hair plastered tightly across scalp--a man who looked so inoffensive and conciliatory that his strength was one of the surprises in the story. If that is the Olmos you remember, you would not recognize him on the street. The real man is much more alert, coiled, powerful.