
Tom Seguro’s Got “Bad Thoughts” to Share, But Only a Few Are Worth Hearing
The sketches that work best do so in spite of the scatology, not because of it.
The sketches that work best do so in spite of the scatology, not because of it.
Josh Holloway is back in a fun throwback show that works when it remembers to be escapism.
A look at the incredible slate of classic films playing at Cannes this year.
A preview of the 78th Cannes Film Festival.
Remembering the mother of the writer’s first two wives.
A review of the new DOOM game from someone who has been playing this series for three decades.
Season 2 continues the show’s episodic tradition in fine form, while finding a few corners in which to shake up Charlie’s world.
Looking at four figures who can help us through these troubled times.
An interview with Dea Kulumbegashvili, the director of the critically acclaimed “April.”
An endearing documentary short between a filmmaker, her mother, and a very curious collection.
On one of Altman’s best late-period film.
On the loss of a friend, filtered through 1987’s bittersweet tale of perseverance through troubled times.
What to watch on Netflix in May 2025, including Dawn of the Dead, Ali, The Sugarland Express, Smile, and Heart Eyes.
A preview of the 12th Chicago Critics Film Festival.
The latest and greatest on Blu-Ray and DVD includes Anora, Heart Eyes, The Brutalist, and much more.
A report on the 2025 Florida Film Festival.
On the second edition of the streaming service’s traveling film fest, and its stop in Chicago.
An excerpt from Jason Bailey’s phenomenal new book.
A guide to closing night of the festival.