Synecdoche, New York
If we don't "go to the movies" in any form, our minds wither and sicken.
"Fred Armisen and Carrie Brownstein on the indispensability of This Is Spinal Tap": At The Dissolve, Will Harris gets the two Portlandia stars to talk a Rob Reiner's classic.
"Beyond their bond as the co-creators and stars of the IFC seriesPortlandia, Fred Armisen and Carrie Brownstein share something else in common: They both started their careers in music, Brownstein as part of Sleater-Kinney, Armisen most notably as drummer for the post-hardcore band Trenchmouth. Although Armisen left his music career behind in favor of pursuing a career in acting, which he achieved through his lengthy stint as a cast member onSaturday Night Live, he recently returned to his roots, taking on the additional responsibility of serving as bandleader for NBC’s Late Night With Seth Meyers. "
"'I'm Sorry You Don't Like The Newsroom As Much As You Should'": At Previously.tv, Tara Ariano fillets Aaron Sorkin with a pen knife, starting with the limbs and working inward.
"Aaron Sorkin Wants To Apologize To Everyone About 'The Newsroom' is the headline on Buzzfeed's widely blogged story. Since I do feel that he owes me an apology for The Newsroom, I was very curious to see exactly what he feels he needs to be sorry for -- and as anyone who's familiar not just with his oeuvre but his public persona might predict, it's not so much that he's sorry as sorry not sorry. This fucking guy."
"CriticWire Survey: Right the First Time": Misunderstood masterpieces and defending history's first draft is the subject of this week's CriticWire survey conducted by Sam Adams.
From our very own RogerEbert.com editor-in-chief Matt Zoller Seitz:
"'Top Gun' was terrible when it came out and it's still terrible. Every time somebody online tries to stick up for it as some sort of American pop classic, I just roll my eyes. It's a burp from the Reagan era, no more worthy of serious consideration than "Rambo: First Blood Part II.""
"Hollywood Has a Major Problem": At Medium, Paul Cantor writes about the rise of television and the death of cinema.
"Every Friday night, no matter what is going on in the world, a slate of new films gets released in theaters. And like clockwork, the companies who make and distribute these movies cross their fingers and hope people show up in droves.
If the actors are popular enough, if the director has some critical cache, if the marketing campaign hits its stride, maybe, just maybe, one of these movies becomes a hit. Everyone lives another day and the Hollywood machine keeps on rolling.
So why does it seem like the buzz around movies is duller than it has ever been? Forget the pomp and circumstance at award shows, the paparazzi and the rosy spin Hollywood puts on its business."
Read about Lytro photography at The Verge.
A film teacher looks back on "The Breakfast Club," partly through the eyes of her students.
The conversation about Woody Allen's personal and professional lives intertwining continues, but to what end?
A gallery of photos, videos and links illustrating Chaz's journey relating to Roger's legacy in the two years since h...
As we mourn Abrams’ macho Star Trek obliteration, it’s a good time to revisit that most Star Trek-ian of accomplishme...