I can't imagine anyone who liked the show not enjoying this movie, even though the first half is stronger than the second. All in all…
Critics group nominates "The Wolf of Wall Street" for several awards, perhaps without seeing it; why the kerfuffle between Elan and Diane on that plane last week is a lesson on why people shouldn't believe everything they read; hwo Disney successfully misrepresented "Frozen."
How we discuss celebrity deaths; Maria Bello's modern coming-out; filmmaker Ava DuVernay on black films and filming black people; best books of 2013; how graphics are innovating documentaries.
The AV Club picks 33 TV shows to binge on over the long weekend; a black writer explains why it's hard to watch 12 Years a Slave with a white person; how Supergirl, of all movies, changed the way Hollywood treated Thanksgiving.
Ted Hope gives thanks (about the indie film biz); how the "Catching Fire" movie outstrips the book; animals are still being harmed in many films; why "Boardwalk Empire" Season 4 is a masterpiece; men who explain rap to women.
Hoberman on the Coen Brothers' portrayal of Jews; horror-woman's films; the "Goodbye New York" essay; Sheila O'Malley on anniversaries; Elmore Leonard's 10 rules of writing.
The 50th anniversary of JFK's assassination; critical reviews of a critical review of Sarah Silverman's career; Guillermo Del Toro's biggests firsts; an official video for "Like a Rolling Stone"; is Harvey "Scissorhanding" his company's awards site?
Scorsese, De Niro reuniting on a new gangster film; Zadie Smith on life, death, Warhol; Spike Lee speaks; our ancestors didn't sleep like us; Van Sant to headline a LGBT film fest in St. Petersburg.
Hollywood studios face huge upheavals; why feminists don't get drunk; why 'Homeland' is falling apart; the secret snobbery of JFK's Camelot; decoding critics' favorite 'Simpons' quotes.
Death to the death of criticism; Pussy Riot's Nadezhda's letters to a political philosopher; was Marvel's New Universe ever all that?; Doris Lessing's legacy; a CinemaScore F-estival.
A less kind and gentle Nora Ephron; Ira Sachs' favorite movies about love; Google Glass in film schools; Marlon Brando as cinema's Raging Bull; the impossibility of being literal.