In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_mljmahzhhd7luzjhrqlzsacggkk

Man of Steel

The title "Man of Steel" tells you what you're in for when you buy a ticket to this immense summer blockbuster: a radical break from…

Thumb_bnmohvuoeki7s3o14ty9frtcmvn

Fill the Void

Claustrophobia isn't often considered a cinematic asset beyond tales of suspense and horror. But "Fill the Void," an award-winning Israeli drama about a naive 18-year-old…

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Square_thumb_beforemidnight-2013-2

Before Midnight Interviews

Katherine Tulich talks to Julie Delpy, Ethan Hawke and Richard Linklater about returning once again to the characters from "Before Sunrise" and "Before Sunset" for…

Other Articles
Far Flunger Archives
Other Articles
Channel Archives
Primary_03-thumb-400x202-58035

Sundance New Frontier: The Volcano

• Kartina Richardson in Park City

"Eyjafjallalokull" is a stunning and moving video art installation that played at Sundance in the "New Frontier" art exhibition space. I visited the piece several times. Nicolas Boritch, director of the AntiVJ visual label and producer of "Eyjafjallalokull" ("The Volcano" for short) wants to put viewers in a space where "they just forget where they are and they forget about understanding anything because we want to leave a lot of space for the audience to create their own story or to find whatever they want to find."

Inspired by the icelandic volcano, which wreaked travel havoc across Europe earlier this year, Joanie Lemercier presents the latest incarnation of its audiovisual mapping project. Painted directly onto a large wall, a wireframed scenery is slowly revealed by gentle light effects. The audience's sense are progressively challenged as optical illusions question their perception of space.

Here are shots of the piece and my interview with Nicolas.

Follow Kartina @ThisMoiThisMoi

Popular Blog Posts

Now, "Voyager": in praise of the Trekkiest "Trek" of all

As we mourn Abrams’ macho Star Trek obliteration, it’s a good time to revisit that most Star Trek-ian of accomplishme...

Laterally speaking: a celebration of right-to-left and left-to-right camera moves

Lateral tracking shots can get to the heart of a film more quickly and succinctly than any other technique. What are ...

Crying on the Outside

I cried yesterday at a retreat while listening to Michael Buble's rendition of "Smile." The tears came from out of no...

Meet the new editor of RogerEbert.com: Matt Zoller Seitz

Please help me welcome the new Editor-in-chief for Rogerebert.com, Matt Zoller Seitz. What Roger and I found refresh...

Reveal Comments
comments powered by Disqus