In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_large_ff2ufvphien2szdtsmjflh03efz

Dear White People

You could make a (film geek) party game out of guessing director Justin Simien's influences, but his vision seems to spring directly from what's up…

Thumb_10687421_10152289281917007_4858446204490388004_o

Private Violence

A look at the complexity of domestic violence, especially when it comes to the difficulty of prosecuting abusers in a court of law, "Private Violence"…

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Primary_tddancer-thumb-500x309-57688-thumb-500x309-57689

Dancing the Sundance sadhu dance

Sundance: Part One from Mirror on Vimeo.

• Kartina Richardson in Park City

Why is it that the culture surrounding art is so far removed from the process of making that art? I suspect this week is hell for many filmmakers here. The world you have to exist in as a great artist (one that values the interior over the exterior, the spiritual over the corporeal) is directly opposed the world you have to exist in to get your movie made. I wonder how many other people here are wondering what's wrong with them. How many people are pretending they love partying in order to not feel like a weirdo.

I wish I could bundle up all the filmmakers and creatives and whisk them far away to a magical island where movies are made and seen without any of this bullshit hustle-bustle.

My friend Te'Devan doesn't agree with me. He thinks Sundance is great, and I know that in a way he's right. No place is really inherently the pits, and if there is no "I" nothing can bother you. I met Te'Devan on the subway in New York a year ago, and I never saw him again until he appeared before me here at Sundance. Te'Devan is a wandering spiritual nomadic couch surfer, in our terms, and a sadhu, in eastern terms. A sadhu is a spiritual seeker who renounces everything in the quest for god.

Says Te'Devan: "Im not a real sadhu because I'm still involved with the world and I'm still involved with projects. I wouldn't be considered a full sadhu by strict Indian standards -- after all I do have a phone -- but by western standards I would be considered a sadhu. I travel with one bag."

As my Sundance buddy, Te'Devan is the Oscar to my Felix. Or I am the Toto to his Dorothy. Or he is the Oprah to my Lance Armstrong. Or I am the Eyore to his Winnie the Pooh. When Te'Devan walks down the street the people love him. Everyone talks to Te'Devan.

He brings spirituality, joy and perspective to a very stressy Sundance.

Popular Blog Posts

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

"1941": An Appreciation and Interview with Bob Gale

An appreciation of "1941" and interview with Bob Gale.

NYFF 2014: Paul Thomas Anderson’s “Inherent Vice”

A review of Paul Thomas Anderson's "Inherent Vice" from the 2014 New York Film Festival.

Interview: Cary Elwes on the Lasting Power of “The Princess Bride”

An interview with Cary Elwes about "The Princess Bride."

Reveal Comments
comments powered by Disqus