In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_otcv3wwkz0vjyicozgz2ahej5uv

John Wick

The film breathes exhilarating life into its tired premise, thanks to some dazzling action choreography, stylish visuals and–most importantly–a vintage anti-hero performance from Keanu Reeves.

Thumb_j0gvkbn0bjd9wfkn6jxr1kbyu5

Low Down

Preiss' movie does a consistently excellent job of explaining the lure of jazz, and the psychology of addicts, their enablers and their children, without explaining…

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Other Articles
Life Itself Archives
Other Articles
Channel Archives
Primary_tddancer-thumb-500x309-57688-thumb-500x309-57689

Dancing the Sundance sadhu dance

Sundance: Part One from Mirror on Vimeo.

• Kartina Richardson in Park City

Why is it that the culture surrounding art is so far removed from the process of making that art? I suspect this week is hell for many filmmakers here. The world you have to exist in as a great artist (one that values the interior over the exterior, the spiritual over the corporeal) is directly opposed the world you have to exist in to get your movie made. I wonder how many other people here are wondering what's wrong with them. How many people are pretending they love partying in order to not feel like a weirdo.

I wish I could bundle up all the filmmakers and creatives and whisk them far away to a magical island where movies are made and seen without any of this bullshit hustle-bustle.

My friend Te'Devan doesn't agree with me. He thinks Sundance is great, and I know that in a way he's right. No place is really inherently the pits, and if there is no "I" nothing can bother you. I met Te'Devan on the subway in New York a year ago, and I never saw him again until he appeared before me here at Sundance. Te'Devan is a wandering spiritual nomadic couch surfer, in our terms, and a sadhu, in eastern terms. A sadhu is a spiritual seeker who renounces everything in the quest for god.

Says Te'Devan: "Im not a real sadhu because I'm still involved with the world and I'm still involved with projects. I wouldn't be considered a full sadhu by strict Indian standards -- after all I do have a phone -- but by western standards I would be considered a sadhu. I travel with one bag."

As my Sundance buddy, Te'Devan is the Oscar to my Felix. Or I am the Toto to his Dorothy. Or he is the Oprah to my Lance Armstrong. Or I am the Eyore to his Winnie the Pooh. When Te'Devan walks down the street the people love him. Everyone talks to Te'Devan.

He brings spirituality, joy and perspective to a very stressy Sundance.

Popular Blog Posts

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

"1941": An Appreciation and Interview with Bob Gale

An appreciation of "1941" and interview with Bob Gale.

A free man: L.M. "Kit" Carson, 1941-2014

An appreciation of filmmaker, writer and actor L.M. "Kit" Carson, a singular talent.

NYFF 2014: Paul Thomas Anderson’s “Inherent Vice”

A review of Paul Thomas Anderson's "Inherent Vice" from the 2014 New York Film Festival.

Reveal Comments
comments powered by Disqus