Star Trek Into Darkness
Less a classic "Star Trek" adventure than a Star Trek-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…
Less a classic "Star Trek" adventure than a Star Trek-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…
Families create their own narratives. Stories are passed on from generation to generation, and in this way the past continues to live, but it can…
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…
If you go to a yacht party, don't expect to be living out your own version of "The Talented Mr. Ripley."
When Chaz has gone to Cannes without Roger in the past, she has written about the festival n the form of letters and postcards to…
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Mother’s Day I awakened to spirited calls from my children and grandchildren. As Roger wrote in his memoir, “Life Itself,” I came from a large family of nine, and I had four brothers and four…
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Ray Harryhausen told us, time and again, the story of how he saw the original "King Kong" (1933) on the big screen when he was…
Dear Roger,You emailed me the questions to this interview on March 15, 2013. In your March 16th reply to my email, you said: The piece…
Tilda Swinton leads 1,500 people in a dance-along to Barry White's "You're the First, the Last, My Everything" during Roger Ebert's Film Festival in the…
Named after the David Cronenberg film, this is the blog of RogerEbert.com founding editor Jim Emerson, where he has chronicled his enthusiasms and indulged his whims since 2005. Favorite subjects include evidence-based movie criticism, cinematic form and style, comedy, logical reasoning, language, journalism, technology, epistemology and fun. No topic is off-limits, but critical thinking is required.

Brad Dourif as a doc with a dark turn of mind.
Since I've been feelin' poorly, I have spent the odd evening and weekend with a book (including some fine ones: Cormac McCarthy's "The Road" and "No Country for Old Men," Paul Bowles' "The Sheltering Sky" [now one of my all-time favorite novels], Graham Greene's "The Heart of the Matter," among them) and -- alas, most belatedly -- have been catching up with the first season of David Milch's "Deadwood." How to describe my feelings? "Blown away" would be one accurate, but inadequate, way to describe my response thus far. Unfortunately for me, I was so spellbound by my introduction to the program that I exhausted Season One in but a few days, and now must wait for the goddamn, c-----cking US Post to bring me f---ing Seasons Two and Three. (All due respect, and no offense intended.)
For the moment, I'm pleased to share with you -- gratis free -- some words of wisdom from creator Milch (on the DVD extras) and Doc Cochran. Somehow, I think they're all interconnected:
"Reason is about seventeenth on the list of the attributes that define us as a species." -- David Milch
"They say in certain rooms today, you can't think your way to right write action, you only act your way to right write thinking." -- David Milch
"I find that most moral codes are kind of elevated expressions of economic necessities." -- David Milch
"I see as much misery outta them movin' to justify theirselves as in them that set out to do harm." -- Doc Cochran (Brad Dourif)
(P.S. And I would never have known, from "An Inconvenient Truth," that Oscar-winner Davis Guggenheim was a f---ing movie director!!!)
Next Article: Ingmar Bergman (1918 -2007) Previous Article: The End of "The Road"
James Toback discusses his new documentary, "Seduced and Abandoned," which traces the life of a failed movie project....
Steven Soderbergh's "Behind the Candelabra" disappoints, Claire Denis's "Bastards" baffles, and Mahamat-Saleh Haroun'...
The competition film "A Castle in Italy," a lightweight comedy, seems strangely out of place.
Boos for Takashi Miike's "Shield of Straw," a muddled "Blind Detective" from Johnnie To and Paolo Sorrentino's "The G...