The fact that he doesn’t try to redeem these flawed, fascinating figures—or even try to make you like them in the slightest way—feels like an…
"He wants to paint and he says he's still young enough to have another career," Damon said. "He's kind of exhausted with everything that interested him in terms of form. He's not interested in telling stories. Cinema interested him in terms of form and that's it. He says, 'If I see another over-the-shoulder shot, I'm going to blow my brains out.' "¹ [...]
"After I worked with Clint [Eastwood] I went back and said, 'Look, Clint is having a blast and he's going to be 80 years old.' And Steven says back, 'Yeah, but he's a storyteller and I'm not,'" Damon recounted. "If you're an actor or a writer or someone working in film, it's such a waste. For me, I'm going to spend the next 40 years trying to become a great director and I will never reach what he's reached. And he's walking away from it."
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¹ I know the feeling.
This message came to me from a reader named Peter Svensland. He and a fr...
A comparison of Frank Costello in The Departed and Whitey Bulger in Black Mass reveals weaknesses in the latter.
A NYFF report on new films from Chantal Akerman and Michel Gondry.
Our monthly series digs into the career of Wes Craven and comes out with his 3D 2010 film, "My Soul to Take".