Jeremy Saulnier makes a striking debut that brings to mind Blood Simple and Pulp Fiction.
As part of the Contrarian Blog-a-Thon, here's a chance to really vent your spleen (in a rational and persuasive way). Please cast your vote below, and then elaborate on your selection in Comments. Give your reasons. Try to change our minds. I happen to have a great deal of affection for all of the below, but I chose these because they have passionate partisans and detractors. (And, besides, nobody doesn't like Howard Hawks... RIGHT?!?!) Defend your favorites -- or explain why you'd choose a filmmaker who's not on this abbreviated list. (BTW, although a valid e-mail address is required to post a comment, it won't be visible to the public and nobody will send you any mail as a consequence. It's just a way to help filter out some of the vast quantities of comment spam that comes in.)
P.S. Do you know which of the above is still alive?
UPDATE (3/19/07): I can't believe I forgot to include Ingmar Bergman, once considered the greatest living filmmaker by so many. I'm not so sure I know where his reputation stands at the moment...
The recent #CancelColbert campaign on Twitter raises all kinds of issues about racism, but also about hashtag activism.
Richard Roeper reflects on his long friendship and professional association with Roger Ebert.
"Dawn of the Planet of the Apes" prominently features digital effects in a manner that blurs the line between traditi...
Seonyong Cho offers his appreciation of Steve James' "Life Itself" and gives both the film and the man a thumbs up.