In Memoriam 1942 – 2013 “Roger Ebert loved movies.”


The Good Dinosaur

A film that has some promising elements and which often seems as if it is on the verge of evolving into something wonderful but never…


The Danish Girl

The Danish Girl lacks an immediacy and vibrancy, as well as a genuine sense of emotional connection.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…


Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Great Movie Archives

Voltaire addresses the voodoo of Pat Robertson across the chasm

From Voltaire's "Poème sur le désastre de Lisbonne," written in response to the Lisbon earthquake of 1755:

What crime, what sin, had those young hearts conceived That lie, bleeding and torn, on mother's breast? Did fallen Lisbon deeper drink of vice Than London, Paris, or sunlit Madrid? In these men dance; at Lisbon yawns the abyss. Tranquil spectators of your brothers' wreck, Unmoved by this repellent dance of death, Who calmly seek the reason of such storms, Let them but lash your own security; Your tears will mingle freely with the flood.

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Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

Anton Ego and Jesse Eisenberg: some notes on the presumed objectivity of critics

Matt Zoller Seitz reviews and reflects upon Jesse Eisenberg's New Yorker piece about film critics.

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