In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_alice_through_the_looking_glass

Alice Through the Looking Glass

There is no magic, no wonder, just junk rehashed from a movie that was itself a rehash of Lewis Carroll, tricked out with physically unpersuasive…

Thumb_large_dyxig7wzovccwribwdhhcebdqxj

Holy Hell

The story of a cult as told by a filmmaker assigned to glorify it; intriguing but superficial.

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives

Voltaire addresses the voodoo of Pat Robertson across the chasm

From Voltaire's "Poème sur le désastre de Lisbonne," written in response to the Lisbon earthquake of 1755:

What crime, what sin, had those young hearts conceived That lie, bleeding and torn, on mother's breast? Did fallen Lisbon deeper drink of vice Than London, Paris, or sunlit Madrid? In these men dance; at Lisbon yawns the abyss. Tranquil spectators of your brothers' wreck, Unmoved by this repellent dance of death, Who calmly seek the reason of such storms, Let them but lash your own security; Your tears will mingle freely with the flood.

Popular Blog Posts

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

Memoirs of a Geisha, Part II: How Are Geisha or Nerd Stereotypes Harmful?

Part two of Jana Monji's essay about the portrayal of Asian characters in cinema.

I believe Dylan Farrow

Separating the artist from the art isn't as easy as it sounds.

Reveal Comments
comments powered by Disqus