The Hangover Part III
Better than “The Hangover Part II,” but equally as useless, “The Hangover Part III” plays more like a caper film than an outright comedy. The…
Better than “The Hangover Part II,” but equally as useless, “The Hangover Part III” plays more like a caper film than an outright comedy. The…
The latest from Blue Sky Studio ("Ice Age," "Rio") is different from whatever Pixar/Disney or any other big animation outfit happens to be offering this…
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…
Jerry Lewis returns to Cannes in a starring role in Daniel Noah's "Max Rose," which proves once again — as "The King of Comedy" did…
Alexander Payne's "Nebraska" brings black and white, to the competition, while "Omar" delivers moral shades of gray to the Palestinian/Israeli conflict and "Michael Koolhaas" looks…
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Mother’s Day I awakened to spirited calls from my children and grandchildren. As Roger wrote in his memoir, “Life Itself,” I came from a large family of nine, and I had four brothers and four…
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Ray Harryhausen told us, time and again, the story of how he saw the original "King Kong" (1933) on the big screen when he was…
The destruction of Vulcan, one of the most crucial planets in the "Star Trek" universe, should be at the core of J.J. Abrams’ "Trek" movies.…
Dear Roger,You emailed me the questions to this interview on March 15, 2013. In your March 16th reply to my email, you said: The piece…
Named after the David Cronenberg film, this is the blog of RogerEbert.com founding editor Jim Emerson, where he has chronicled his enthusiasms and indulged his whims since 2005. Favorite subjects include evidence-based movie criticism, cinematic form and style, comedy, logical reasoning, language, journalism, technology, epistemology and fun. No topic is off-limits, but critical thinking is required.
View image Roger & Chaz Ebert, with Roger's second sidewalk star. (All photos by Jim Emerson. Thanks to Kim Robeson for the use of the camera on this one!)
View image Man Push Dog. Anyone will tell you that one of the joys of TIFF is the street food. I was inspired to take this after seeing "Chop Shop," Ramin Bahrani's second film after "Man Push Cart." Want green olives on that dog? I do.On average, I saw two to four movies a day at the 2007 Toronto Film Festival -- and, incredibly, I didn't see a bad movie. That's nine days and 20-something pictures (less than one tenth of the total screened), but I don't think I've ever had a run of good movies like that in my life. No, I didn't write about everything I saw -- but I also liked Ira Sachs' "Married Life," Chaude Chabrol's "A Girl Cut in Two" (figuratively and literally), Gus van Sant's "Paranoid Park," and those other movies I saw, except for the one I walked out on (the third in a four-movie day) that was not so much bad as doleful and predictable. And there was the Woody Allen movie I accidentally half-saw, without knowing I was half-seeing it.
View image Toronto Film Festival Co-Founder Dusty Cohl with Roger Ebert. Ya got a coupla stars here.
View image Ingmar Bergman's Death (center, rear) welcomes ticketbuyers, lined up at the TIFF box office in the Manulife Centre, which is being remodeled (nice duct-work, eh?) and currently looks like something out of Terry Gilliam's "Brazil." The woman in orange (center, foreground) is one of the fest's fantastically friendly and organized volunteers.On the other hand, I also didn't take all that many risks. Most of what I saw was by familiar directors I like, or came recommended by fellow critics or other film festivals. There were some movies I wanted to see just because they sounded interesting (not because I'd ever heard of the filmmakers), but I couldn't squeeze them in, and in that sense I did not have the full experience a festival has to offer.
View image They do love their celebs up in Toronto. Last year, air-polluting, environment-destroying Sean Penn smoked at a press conference and it was a huge scandal. The paparazzi couldn't wait to catch him with a cigarette this time. And when they did -- front page news!Anyway, although I fear some of the films I saw even ten days ago are no longer as vivid in my memory because of the ones I've seen since, here were my ten favorite Toronto movies, in very rough order of preference:
"No Country for Old Men" (Joel & Ethan Coen)"I'm Not There" (Todd Haynes)"Chop Shop" (Ramin Bahrani)"Secret Sunshine" (Lee Chang-dong)"Eastern Promises" (David Cronenberg)"Atonement" (Joe Wright)"The Orphanage" (Juan Antonio Bayona)"Persepolis" (Marjane Satrapi & Vencent Paronnaud)"Les Amours d'Astrée et de Céladon" (Eric Rohmer)"4 months, 3 weeks, 2 days" (Cristian Mungiu)
More photos after the jump...
View image Critics Kathleen Murphy, Richard T. Jameson and Dave McCoy between features. No, I don't know why he's doing that, either.
View image The Manulife Centre not a very distinguished building, really, but I'm fascinated by the different surfaces and lighting. This is where most of the TIFF press and industry screenings are held, so it is Mecca for many of us.
View image See? I can't help it.
View image Why a duct? Because it's under (re-)construction, that's why.
View image Ghost in the modern hotel mini-suite.
View image The ceiling of the grand old Elgin Theatre, from my seat on the main floor. Great place to see a BIG movie like "Atonement."
View image
Best. T-shirt. Ever. In my travels around the world, I have found the three most popular commercialized images to be: the Marlboro logo, Bob Marley, and Che Guevera. (Coke and Pepsi are probably fourth and fifth.) Seen in a shop window on Yonge St.
View image He has one on Hollywood Blvd., too, but this one's on Dundas St. in Toronto -- thanks to Dusty Cohl and Barry Avrich.Next Article: Elected: 100 Must-See Foreign Films Previous Article: TIFF 2007: Stuck in time
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