Dwayne Johnson tries, but he’s surrounded by poor CGI and a terrible adaptation of yet another comic book. Ian McShane steals what little movie there…
They could be nuns. Those could be habits. But they're burkas.
What is that supposedly ancient Chinese curse? "May you live in interesting times"? The proverb may be of dubious origin, but it captures the fate of Marjane, the heroine of "Persepolis," in a Persian nutshell. The precocious Iranian girl is born during the reign of the Shah (Mohammad Reza Shah Pahlavi), witnesses his overthrow during the Islamic Revolution, becomes enamored of pop music and punk rock (and Bruce Lee) as powerfully disruptive and liberating political forces, and experiences a new world of sexuality and materialism in Europe. "Persepolis," based on the autobio-graphic novels by Marjane Satrapi and co-written and co-directed by Satrapi and Vincent Paronnaud, is absolutely enchanting -- a history lesson, a fairy tale, and a girl's-eye-view of growing up. It's a movie that makes you feel glad to be alive.
I wasn't familiar with Satrapi's work, but from what I've seen since, the (mostly black-and-white animation renders her style beautifully: a mix of charming, early Hanna-Barbera coloring-book simplicity, and more atmospheric watercolors or charcoals that suggest a '60s and '70s European sensibility. The delicately modulated tones of "Persepolis" are similarly sophisticated. It veers from hilarious to poignant, sweet to terrifying, abstract to concrete, personal to political, cynical to rhapsodic... and back again.
Our guide is the stubborn, courageous, effervescent Marjane herself, a smart and instinctively rebellious girl who (like most young Westerners) instinctively cobbles together her identity through pop culture and politics. Or make that pop culture as politics. The privately and publicly expressed preference of ABBA over the Bee Gees (or Iron Maiden over both) is just as important -- and in many respects equivalent -- to favoring the Revolution over the Shah. Marjane isn't always admirable (who is?), but we unfailingly empathize with her emotional, philosophical and ideological struggles. (And she has the wisest grandma in the world -- who also disapproves of her granddaughter's actions at times, but never offers anything less than unconditional love.)
"Persepolis" streams by in no time, yet manages to convey the sense of an entire childhood into early adulthood. Upon getting back to my room I immediately ordered the books, "Persepolis" and "Persepolis 2."
(Thanks to Ken Lowery for recommending this movie. It was just the nudge I needed to reshuffle my screening schedule.)
The first part in a four-part series on what film can teach us about the relationship between Israel and Palestine.
Scott Jordan Harris argues that disabled characters should not be played by able-bodied actors.
This message came to me from a reader named Peter Svensland. He and a fr...
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