Star Trek Into Darkness
Less a classic "Star Trek" adventure than a Star Trek-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…
Less a classic "Star Trek" adventure than a Star Trek-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…
Families create their own narratives. Stories are passed on from generation to generation, and in this way the past continues to live, but it can…
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…
The competition film "A Castle in Italy," a lightweight comedy, seems strangely out of place.
Boos for Takashi Miike's "Shield of Straw," a muddled "Blind Detective" from Johnnie To and Paolo Sorrentino's "The Great Beauty" lives up to its name.
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Mother’s Day I awakened to spirited calls from my children and grandchildren. As Roger wrote in his memoir, “Life Itself,” I came from a large family of nine, and I had four brothers and four…
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Ray Harryhausen told us, time and again, the story of how he saw the original "King Kong" (1933) on the big screen when he was…
Dear Roger,You emailed me the questions to this interview on March 15, 2013. In your March 16th reply to my email, you said: The piece…
Tilda Swinton leads 1,500 people in a dance-along to Barry White's "You're the First, the Last, My Everything" during Roger Ebert's Film Festival in the…
Named after the David Cronenberg film, this is the blog of RogerEbert.com founding editor Jim Emerson, where he has chronicled his enthusiasms and indulged his whims since 2005. Favorite subjects include evidence-based movie criticism, cinematic form and style, comedy, logical reasoning, language, journalism, technology, epistemology and fun. No topic is off-limits, but critical thinking is required.
Werner Herzog is a regular. One time I met a man in a cowboy hat on Main Street and he was Jimmy Stewart. I saw Andre Tarkovsky and Richard Widmark exchange shots on the Sheridan Opera House stage (though not on the same night). Krzysztof Zanussi translated for Tarkovsky and showed his miraculous "Imperativ." Kyle MacLachlan and Laura Dern strolled around town, hand-in hand, wearing matching seafoam green outfits and white shoes the year of "Blue Velvet." I was greeted heartily by Crispin Glover, who momentarily mistook me for director Tim Hunter ("River's Edge," "Tex"). I bowed down and kissed Hannah Schygulla's hand....
William K. Everson showed Henry King's all-but-lost "One More Spring," a should-be-classic Depression-era comedy about the homeless nouveau poor in Central Park, starring Janet Gaynor, Warner Baxter and (in a small featured role) Stepin Fetchit. He also showed Luis Trenker's mountain film "The Lost Son" ("Der Verlorene Sohn"), which includes amazing documentary footage of New York during the Great Depression and which remains one of the most exhilarating movie experiences of my life. Budd Boetticher showed us some westerns and "The Rise and Fall of Legs Diamond." Rainer Werner Fassbinder's penultimate film, "Veronika Voss," was unveiled only a few months after his untimely death. I saw Viktor Sjostrom's "The Wind" for the first time. For years, Chuck Jones showed and talked about his Looney Tunes in the gymnasium. leaving all of us winded from laughter -- and from the altitude. I first met Roger Ebert (though he doesn't remember it and there's no reason he should).
I have so many incredible memories of the Telluride Film Festival that, well, I feel my head beginning to explode just trying to recall them. These are among the first that bubbled up.
What will be going on up there this year? Get your own widget for the world's most exhilarating film festival -- same mountain place, same Mountain Time (Labor Day Weekend).
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The competition film "A Castle in Italy," a lightweight comedy, seems strangely out of place.
Boos for Takashi Miike's "Shield of Straw," a muddled "Blind Detective" from Johnnie To and Paolo Sorrentino's "The G...
At Cannes, the Coen brothers discuss their inspirations for "Inside Llewyn Davis."
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.