In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_large_9haql7yi5rligupgnzqg2gewfbf

The Choice

The Choice totally botches its central pairing, to the point where you might find yourself hoping the blandly irksome twosome fail to even get together.

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Other Articles
Channel Archives

The Hollywood studio mentality in one paragraph

kbp.jpg

Kimberly Peirce


The first time I interviewed Martin Short (one of my "SCTV" idols) in 1987, he told me an anecdote about his experiences in Hollywood. A typical encounter with studio executives would begin with something like, "Wow! We love you! You did this and you did that and we think you're great!" Followed, almost immediately, by, "And now that we've hired you, don't do that stuff anymore because that's not what we want from you. Just do it our way."

Here's director Kimberly Peirce on why nearly ten years elapsed between her last feature, "Boys Don't Cry," and her latest one, "Stop Loss":

... After "Boys Don't Cry," Hollywood came and offered me some very expensive projects, some very good stuff.... I had one project that I got almost to fruition, "Silent Star," about the unsolved murder of [the silent movie director] William Desmond Taylor in the 1920s. It was wonderful - the story of how Hollywood was built on an unsolved murder and a cover-up. We had it cast and ready to go, and the studio ran the numbers and they said, "We want to make it for x amount of money." And I said, Uh, all right. But then they said, "We don't want to spend that much, we want to spend 10 million dollars less." I said, Well, I don't know if that's a good idea, but I'll go ahead and make the adjustments I can. And they said, "Well, we don't want to see the version of the movie that we're prepared to pay for. We want to see the version we're not willing to pay for."

Perfectly circular bureaucratic logic -- so beautiful in its impeccable shape that Franz Kafka and Joseph Heller must be laughing so hard they're crying....

Popular Blog Posts

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

The Unloved, Part 26: "Absolute Beginners"

The latest Unloved looks back at David Bowie and Julien Temple's 1986 collaboration.

Plagiarizing "Star Wars": The Problems with "The Force Awakens"

FFC Gerardo Valero considers the flaws within "Star Wars: Episode VII - The Force Awakens."

Hipster Misogyny: The Betrayal of "The Hateful Eight"

With "The Hateful Eight," Quentin Tarantino betrays the female fans he's until-now supported.

Reveal Comments
comments powered by Disqus