The Hangover Part III
Better than “The Hangover Part II,” but equally as useless, “The Hangover Part III” plays more like a caper film than an outright comedy. The…
Better than “The Hangover Part II,” but equally as useless, “The Hangover Part III” plays more like a caper film than an outright comedy. The…
Families create their own narratives. Stories are passed on from generation to generation, and in this way the past continues to live, but it can…
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…
Robert Redford braves the high seas alone in the shipwreck drama "All Is Lost."
"Only God Forgives" commits the unforgivable sin of being boring, "Muhammad Ali's Greatest Fight" is about old white men arguing about race, and "Blue is…
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Mother’s Day I awakened to spirited calls from my children and grandchildren. As Roger wrote in his memoir, “Life Itself,” I came from a large family of nine, and I had four brothers and four…
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Ray Harryhausen told us, time and again, the story of how he saw the original "King Kong" (1933) on the big screen when he was…
Dear Roger,You emailed me the questions to this interview on March 15, 2013. In your March 16th reply to my email, you said: The piece…
Tilda Swinton leads 1,500 people in a dance-along to Barry White's "You're the First, the Last, My Everything" during Roger Ebert's Film Festival in the…
Named after the David Cronenberg film, this is the blog of RogerEbert.com founding editor Jim Emerson, where he has chronicled his enthusiasms and indulged his whims since 2005. Favorite subjects include evidence-based movie criticism, cinematic form and style, comedy, logical reasoning, language, journalism, technology, epistemology and fun. No topic is off-limits, but critical thinking is required.

Poster image for "The Descent."
Neil Marshall's "The Descent" is the most exhilarating and exciting psychological horror-thriller I've seen in years. I call it a "psychological horror-thriller" because I don't know quite how to fit it into a genre. It belongs somewhere between "Deliverance," "Alien" and "Jaws" -- the story of six women for whom a cave-diving expedition becomes a descent into the abyss. This poster expresses the sensibility of the movie brilliantly (click "Continue reading" for a look at the classic Surrealist image that inspired it).
I've seen ads that promote "The Descent" as being "from the studio that brought you 'Saw' and 'Hostel'" -- but what makes it so powerful is that it's not another piece of literal-minded torture porn. It's a smart movie designed for people who love movies, and it's full of clever and effective, ingeniously integrated references to other memorable thrillers, concentrating on classics from the 1970s (like the titles mentioned above). "The Descent" is an adrenaline work-out for anybody, but especially thrilling for movie buffs.
WARNING: Do not look up this movie on IMDb or other movie sites. Some have spoilers right there on the main page!

"Dali Skull" (1951), by Philippe Halsman
I love this image, and how it evokes sex and death. I've had a postcard of it on my fridge since the 1980s!
Next Article: Lunch With David Previous Article: Touché, Dupree!
Robert Redford braves the high seas alone in the shipwreck drama "All Is Lost."
"Only God Forgives" commits the unforgivable sin of being boring, "Muhammad Ali's Greatest Fight" is about old white ...
Marie writes: Now this is really neat. It made TIME's top 25 best blogs for 2012 and with good reason. Behold arti...
If you go to a yacht party, don't expect to be living out your own version of "The Talented Mr. Ripley."