The Danish Girl
The Danish Girl lacks an immediacy and vibrancy, as well as a genuine sense of emotional connection.
Poster image for "The Descent."
Neil Marshall's "The Descent" is the most exhilarating and exciting psychological horror-thriller I've seen in years. I call it a "psychological horror-thriller" because I don't know quite how to fit it into a genre. It belongs somewhere between "Deliverance," "Alien" and "Jaws" -- the story of six women for whom a cave-diving expedition becomes a descent into the abyss. This poster expresses the sensibility of the movie brilliantly (click "Continue reading" for a look at the classic Surrealist image that inspired it).
I've seen ads that promote "The Descent" as being "from the studio that brought you 'Saw' and 'Hostel'" -- but what makes it so powerful is that it's not another piece of literal-minded torture porn. It's a smart movie designed for people who love movies, and it's full of clever and effective, ingeniously integrated references to other memorable thrillers, concentrating on classics from the 1970s (like the titles mentioned above). "The Descent" is an adrenaline work-out for anybody, but especially thrilling for movie buffs.
WARNING: Do not look up this movie on IMDb or other movie sites. Some have spoilers right there on the main page!
"Dali Skull" (1951), by Philippe Halsman
I love this image, and how it evokes sex and death. I've had a postcard of it on my fridge since the 1980s!
Matt Zoller Seitz reviews and reflects upon Jesse Eisenberg's New Yorker piece about film critics.
The film that Fox packaged with "Star Wars" to get theaters to play a little space opera no one had heard of was "The...
An article about Spike Lee's Honorary Oscar at the 2015 AMPAS Governors Awards.