Same Kind of Different as Me
It can be hard to disagree with the heart and events of this true tale, except for when the movie reveals itself to be mighty…
AMC's re-do of the classic British TV series "The Prisoner" gets under way Sunday night, following the conclusion of "Mad Men"'s third season last week. The new version stars Jim Caviezel as Number Six and Ian McKellen as Number Two. (The great Leo McKern played Number Two a couple times in the original series, and there were some other repeats as I recall, but generally there was a new Number Two each week.)
From the teasers it appears that the new version (tagline: "You Only Think You're Free") takes place in a desert suburb of Dubai rather than a quaint seaside village. (Actually, the new "Prisoner" was shot in Cape Town, South Africa, and Swakopmund, Namibia.) The big white bouncy billowy security devices are back. But I'm most interested in the opening credits sequence, because I became so enamored with the ritualistic nature of the earlier one, as you can see from the following obsessive video analysis originally published in 2008:
(Rescued and reposted months after the death of iKlipz caused all my video essays to disappear from the web. Originally published -- with more on "The Prisoner" here.)
A special edition of Thumbnails detailing the recent sexual harassment cases in the entertainment and tech industries...
A Great Movie is hidden somewhere within "Blade Runner" and "Blade Runner 2049."
A column on the lack of diversity in this year's potential Oscar nominees.
No character in “Blade Runner 2049” is more relatably human than Luv.