In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_bears

Bears

"Bears" could have used a lot more science; more substantive information in the place of wacky one-liners. Still, the images trump everything.

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Other Articles
Blog Archives
Other Articles
Far Flunger Archives
Other Articles
Channel Archives

Red eye in the sky

rroad.jpg

My review of "Red Road" at RogerEbert.com:

Vertigo, they say, is not really a fear of falling; it's a fear of jumping. The gap between the subject and the ground creates such strong psychological conflict in the afflicted that the temptation to eliminate it by leaping into the void is overpowering, and dizziness sets in.

A similar dynamic exists between the voyeur and the object of his or her scrutiny. In the chilling and dread-laden "Red Road," Jackie (Kate Dickie), a closed-circuit television operator in Glasgow, sits before a bank of video screens connected to surveillance cameras across the city. Her job at "City Eye Control, Division E," is to monitor the feeds for suspicious activities, and to report what she sees to the proper authorities. She scans some of the city's worst neighborhoods for signs of trouble, with an eye toward averting it before the victims need to call for help.

From the very first scene, we feel an ambivalent tension between Jackie and the people on her screens. She can't help empathizing with the overweight young woman who works as a night janitor, donning headphones and dancing to her MP3 player in an empty office building. Or the man who walks his old and ailing English bulldog. But Jackie remains at a distance. They have no idea she's watching.

We immediately sense that Jackie is harboring a darkness and despair that isolates her from everyone else. She uses the wall of video images as a buffer between herself and the outside world -- or between herself and her own life. Until she spots a red-haired man named Clyde (Tony Curran), and -- feverishly, compulsively -- penetrates the screen and, for reasons unknown, begins to insinuate herself into his life. It's an excruciating process, but she seems driven to forge ahead, even when she feels she can't go through with it.

Continued at RogerEbert.com...

Popular Blog Posts

Hashtag Activism and the #CancelColbert campaign

The recent #CancelColbert campaign on Twitter raises all kinds of issues about racism, but also about hashtag activism.

One Year Later: Richard Roeper on Roger

Richard Roeper reflects on his long friendship and professional association with Roger Ebert.

For the love of it: notes on the decline of Entertainment Weekly, the firing of Owen Gleiberman, and the ongoing end of an era

Owen Gleiberman's sacking as lead film critic of Entertainment Weekly — part of a ritual bloodletting of staffers at ...

An amazing video: 1,001 Movies You Must See (Before You Die)

Jonathan Keogh presents an exuberant video about the movies.

Reveal Comments
comments powered by Disqus