Aloha feels like several films at once, crammed together and sped up, with results that are emotionally hollow and narratively confusing.
Passed along on the Interwebs via Wiley Wiggins. I consider this to be a Lynchian companion piece to Sausage Party.
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This is his masterpiece:
His story is creepier than I thought. Of course he's a former local television kiddie show and late-night host. And registered sex offender.
In his performance, I detect hints of Fritz Lang's Rotwang ("Metropolis" (1927)), Herzog actor Clemens Scheitz ("Heart of Glass," "Stroszek," "Nosferatu the Vampyre" -- he would make a good Renfield), the Tall Man (Angus Scrimm) from "Phantasm," Julian Beck in "Poltergeist II" -- and William Hickey in just about anything from "Wise Blood" on.
Having once made the statement above, I have declined all opportunities to ...
An essay on how technology has rendered us a one-handed species.
An FFC writes about the use of Giuseppe Verdi's "Dies Irae" in "Mad Max: Fury Road".
A final film report from Cannes on two of the last films for 2015: an update of Macbeth and an environmental document...