In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_far_from_the_madding_crowd

Far from the Madding Crowd

Whether his film is lush or rolling in the muck, it always has a tactile quality that makes it accessible, which is also true of…

Thumb_ride

Ride

Helen Hunt directs herself in this story of a brittle New York book editor who begins healing old wounds by learning how to surf.

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Other Articles
Blog Archives
Other Articles
Far Flunger Archives
Other Articles
Channel Archives

Paranoid Park: A Beaver State of mind

gvspp1.jpg

Under the bridge.

My review of "Paranoid Park" is in the Chicago Sun-Times and on RogerEbert.com. Here's an excerpt:

Many films use scrambled chronology just to make the story seem more interesting than it really is. That's not what happens in "Paranoid Park." The story, told as Alex pencils entries into a lined notebook, is an elliptical record of how he processes the terrible thing that happened one night in the neighborhood of Paranoid Park. The narrative moves in arcs and curves, like the skateboarders who float and glide around in dreamy 8mm slow-motion, as Alex circles the truth in his writing, promising himself, "I'll get it all on paper eventually."

"Paranoid Park" is a companion piece to Van Sant's "Elephant" (his stylized reimagining of a typical high-school day shattered by a Columbine-like massacre) -- and, by extension, "Gerry" and "Last Days" (inspired by the suicide of rock icon Kurt Cobain). Shot mostly in Portland blues and grays by Christopher Doyle and Rain Li, the film takes us inside the gloomy, tormented consciousness of Alex. Like the kids in "Elephant" who negotiate mazes of locker-lined hallways in long, slow takes, Alex moves through space as if he were underwater. He's an outwardly sullen, nearly somnambulistic kid, and there are things going on inside him, weighing him down, that he can't quite grasp, much less articulate....

Popular Blog Posts

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

Thirtieth Anniversary of "A View to a Kill"

An essay on John Glen's 1985 Bond film, "A View to a Kill," in honor of its thirtieth anniversary.

Now, "Voyager": in praise of the Trekkiest "Trek" of all

As we mourn Abrams’ macho Star Trek obliteration, it’s a good time to revisit that most Star Trek-ian of accomplishme...

Notes on watching "Aliens" for the first time again, with a bunch of kids

Captain's log: eight fifth graders, one adult, one James Cameron movie.

Reveal Comments
comments powered by Disqus