In Memoriam 1942 – 2013 “Roger Ebert loved movies.”



Freeheld stumbles over too many hurdles to recommend it. The film’s heart is in the right place, but its focus is not.



Cassel’s latest movie that smartly keeps his innate menace on a slow, low simmer, isn’t nearly as convincing or compelling as its star.

Other Reviews
Review Archives

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…


Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Other Articles
Blog Archives

Opening Shots: 'The Wire'


This summer a friend is introducing me to the HBO series, "The Wire," beginning with the first season on DVD. Sunday nights, we eat a big ol' fresh-grilled meal (like steak, ribs, kabobs, pork loin, salmon, scallops wrapped in prosciutto, asparagus or broccoli sauteed in olive oil, garlic and crushed red peppers)... I'm sorry, what was I saying? I kept hearing from friends that "The Wire" was something great, as good as (some say even better than) "The Sopranos" or "Deadwood." Well, we're only three episodes in (we also watch a "Freaks and Geeks" -- all new to me -- after each episode), but I'm hooked.


"The Wire" is about Baltimore police (homicide and narcotics) and their investigation and surveillance (hence the title) of a city-wide drug operation run by one Avon Barksdale, a shadowy figure said to be based on a real Baltimore dealer. All threads seem to lead back to Barksdale, but the cops don't even have a photograph of the guy.


The first image of the first episode of the first season is a close up of blood on the pavement. It lasts only a few seconds, but the camera slowly moves up the trail of blood toward its source, the body of a drug-related homicide victim. The liquid catches the flashing lights of police cars and seems to illuminate with electrical sparks like...wires. Only the middle-ground of the shot is in focus -- where it comes from and where it leads are still blurry. We don't know it yet, but the whole season has been set up for us.

Popular Blog Posts

The Ghost Comes: Michael Shannon on “Freeheld,” “99 Homes”

An interview with Michael Shannon on Freeheld, 99 Homes, Boardwalk Empire, and more.

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

Of Rats and Men: “Black Mass” vs. “The Departed”

A comparison of Frank Costello in The Departed and Whitey Bulger in Black Mass reveals weaknesses in the latter.

The Unloved, Part 22: "My Soul to Take"

Our monthly series digs into the career of Wes Craven and comes out with his 3D 2010 film, "My Soul to Take".

Reveal Comments
comments powered by Disqus