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Steve Jobs

The fact that he doesn’t try to redeem these flawed, fascinating figures—or even try to make you like them in the slightest way—feels like an…



Every once in a while, a movie comes along that is so punishing to one’s mental and physical being that the narrative should be divided…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…


Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Opening Shots: 'Primer'



Shane Carruth's ingenious "Primer" (2004) offers a textbook example, if you will, of a "What are we looking at?" opening shot. Linear and rectangular or trapezoidal patterns of light dot the dark screen. Then the irregular, vaguely chevron-shaped object at the top of the frame flickers, illuminates, and... we see we're inside a residential garage, near the ceiling, looking at the door, which begins to lift to the accompaniment of odd, but still somewhat familiar, electronic and metallic/mechanical sounds. Even once we know what it is, something about it feels like science fiction -- as though this door were opening up to a new dimension or something. The next shot orients us: a more conventional exterior establishing shot, showing the grinding, squealing door from the outside and four young men walking into the space. This is the (twisted, inside-out) story of these garage-based tech entrepreneurs, and they won't understand what they're seeing, either, when they accidentally invent and/or discover something incredible in that unassuming structure. Or, maybe, they already have... -- JE

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