In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb same kind of different as me

Same Kind of Different as Me

It can be hard to disagree with the heart and events of this true tale, except for when the movie reveals itself to be mighty…

Thumb mv5bnda4ymmwmgity2mzos00odjilthmzdetyza5ngu4zjq5yjhixkeyxkfqcgdeqxvynjk5nda3otk . v1 sy1000 cr0 0 674 1000 al

Geostorm

God knows how many millions of dollars and hours of manpower went into making and remaking Geostorm but it turns out to have been all…

Other Reviews
Review Archives
Thumb xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Other Reviews
Great Movie Archives
Other Articles
Chaz's Journal Archives
Other Articles
Blog Archives

Opening Shots: 'Cat People' (1982)

mail.jpg

From Andrew Wright, The Stranger:

Cinematic brimstone manna for pubescent Cinemax viewers, Paul Schrader's unjustly neglected 1982 remake of "Cat People" leaves the watcher uneasily poised somewhere between needing a wet-nap and a steel-wool shower. Working again with "American Gigolo"'s visual consultant Ferndinando Scarfiotti, the director's interpretation of the wittily Freudian source material is chock full with the promise of tantalizing sex and violence, which is ultimately delivered so nastily that it's difficult not to feel guilty for enjoying it. Schraeder, a dude who knows a thing or three about temptation himself, here delivers one lulu of a cautionary tale: What you want to see may not really be what you want to see, no matter how much you think you want to see it.

Advertisement

Nowhere is this poisoned voyeurism more evident than in the opening shot, which quite literally unearths the film's joint fascination with turn-ons and snuff-outs. Beginning with a patch of hallucinatory, nuclear-Antonioni colored desert, a wind slowly, sensually, blows across the surface of the sand to reveal a polished human skull, and then another, and another, and yet another, until an entire boneyard is uncovered. All this, while David Bowie and Georgio Moroder are moaning orgiastically on the soundtrack. Just writing about it, I want a cigarette. And a hairshirt, possibly.

JE: Muchas gracias, Andy. That ultra-lapsed Calvinist Schrader does indeed know something about putting out a fire with gasoline. I haven't seen his "Cat People" in, let's see, 24 years, and all I remember about it is the Bowie song and the way somebody jumps, catlike, onto a table or something. That image you sent sure is purrty, though...

Popular Blog Posts

The Fall of Toxic Masculinity and the Rise of Feminine Consciousness

A special edition of Thumbnails detailing the recent sexual harassment cases in the entertainment and tech industries...

"Blade Runner" vs. "Blade Runner 2049"

A Great Movie is hidden somewhere within "Blade Runner" and "Blade Runner 2049."

Oscars Could Be Facing Dearth of Diversity Yet Again

A column on the lack of diversity in this year's potential Oscar nominees.

Tears of a Machine: The Humanity of Luv in "Blade Runner 2049"

No character in “Blade Runner 2049” is more relatably human than Luv.

Reveal Comments
comments powered by Disqus