In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_10687421_10152289281917007_4858446204490388004_o

Private Violence

A look at the complexity of domestic violence, especially when it comes to the difficulty of prosecuting abusers in a court of law, "Private Violence"…

Thumb_large_fqswmulnnx3zirvlso5sxv9zcn

Rudderless

If this directorial outing was in any sense an audition for the talented Mr. Macy, he should be congratulated on passing it.

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Other Articles
Channel Archives

Oliver Stone: What happened?

wtc2.jpg

Nicolas Cage in "WTC."

I'm still trying to figure out what to make of Oliver Stone's "World Trade Center" (and what kind of movie Stone and Paramount thought they were making), but in the meantime I have an essay looking at the shape of Stone's career over at MSN Movies today: "Exile in Stonesville." In part, it's a "Whatever Happened to...?" piece, looking at how a director who once grabbed the zeitgeist by the horns now seems so irrelevant, a relic of the 20th century. But my primary thesis is that he's a reactionary filmmaker with a reputation as a political "liberal." Excerpt:

"JFK" probably represents the peak of Stone's career and reputation -- and it was about as subtle and nuanced as he ever got. Which is to say, it wasn't. And though his name became synonymous with paranoia and liberal politics, he never quite fit the double-bill. Stone may be a hysteric, but his moral and artistic instincts are hardly progressive. They're old-fashioned and deeply reactionary -- the work not so much of a visionary as a vigilante. [...]

[M]acho Stone was never a "bleeding-heart liberal" any more than George W. Bush was a conservative, compassionate or otherwise. Compare, say, the attitude toward big, intrusive, centralized government -- the litmus test of true conservatism -- in Stone's films with Bush's record and Stone comes out looking more reliably conservative than the president.

("Exile in Stonesville")

Popular Blog Posts

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

Interview: Cary Elwes on the Lasting Power of “The Princess Bride”

An interview with Cary Elwes about "The Princess Bride."

NYFF 2014: Paul Thomas Anderson’s “Inherent Vice”

A review of Paul Thomas Anderson's "Inherent Vice" from the 2014 New York Film Festival.

That brilliant laugh: Elizabeth Pena, 1961-2014

An appreciation of Elizabeth Pena.

Reveal Comments
comments powered by Disqus