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The Maze Runner

What’s intriguing about “The Maze Runner”–for a long time, at least–is the way it tells us a story we think we’ve heard countless times before…

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20,000 Days on Earth

In his music, he routinely celebrates/deconstructs his public persona: brutalizer, coward, agnostic, and wannabe deity. "20,000 Days on Earth" is accordingly not a biography, but…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Off to CWA

I'll be in Boulder this week for another round of the Conference on World Affairs.

I will be part of these panels, on such diverse topics as dogs and international politics (that's one subject), ad hominem mouthpieces in the media (Limbaugh, Beck, Hannity, O'Reilly), the politics of "Avatar," blatant and condescending forms of racism, and why we go to the movies. My pal Julia Sweeney will be joining the ranks of participants. And I get to be on two panels with the fantastic Ike Wilson, who's also delivering the keynote!

Oh yes: Ramin Bahrani will be returning for the Cinema Interruptus (last year he guided us through his own "Chop Shop") -- this time exploring, shot-by-shot, Werner Herzog's "Aguirre, the Wrath of God" with Herr Herzog himself, Roger Ebert (who, I hope, will be using his Mac voice), the audience, and me. I plan to handle remote control responsibilities to the best of my ability (pausing for questions and comments, rewinding and re-playing) -- but, for the most part, I intend to shut up and learn something. And, as usual, I know I will. And, whenever I get a chance, I will be posting (and tweeting) about it...

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Who do you read? Good Roger, or Bad Roger?

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