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Dear White People

You could make a (film geek) party game out of guessing director Justin Simien's influences, but his vision seems to spring directly from what's up…

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Private Violence

A look at the complexity of domestic violence, especially when it comes to the difficulty of prosecuting abusers in a court of law, "Private Violence"…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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"No Country for Old Men" towers over 2007

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A shadow in the light from a doorway.

It wasn't even close. In the MSN Movies 2007 Top 10 Poll, Joel and Ethan Coen's "No Country for Old Men" scored 106 points out of a possible 120 -- the only film to rank on all ten of the contributing critics' best-of-the-year lists. It was #1 or #2 on nine of the ten, and #4 on the other one.

Some of you may have gotten the impression that I think rather highly of "No Country for Old Men," so I was pleased to be asked by editor Dave McCoy to write a little blurb about it summarizing my appreciation. It goes like this:

Shot by shot, cut by cut, sequence by sequence, no movie this year (or any other year) was more grippingly, cinematically exhilarating than "No Country for Old Men." Joel and Ethan Coen's first literary adaptation (from Cormac McCarthy's novel), crackles with an intensity that sharpens and stimulates your senses and reminds you of how little most other films do with the essential expressive properties of the medium: light, color, sound, movement, language. Movies are as much about the orchestration as the composition, and the Coens have orchestrated and composed a masterpiece -- one that embodies what most movies only describe.

A Western, a crime picture, a chase thriller, a ghost story (though not in the supernatural sense), "No Country" is the story of Llewelyn Moss (Josh Brolin), a man chasing a dream ($2 million in drug money he's found in a satchel); Anton Chigurh (Javier Bardem), a messenger of death who's tracking down Moss for the money; and Sheriff Ed Tom Bell (Tommy Lee Jones), who's trailing both of them. Tension builds as the film progresses, even as the violence recedes. This isn't a movie about murder; it's about the awareness of inevitable death that stalks us all.

Check out our individual lists here. My Scanners list (with blurbs on all my favorites) will be somewhat different...

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