The Danish Girl
The Danish Girl lacks an immediacy and vibrancy, as well as a genuine sense of emotional connection.
Before I do my proper "ten best" honors (in a form that is not a critics' poll ballot), I just want to say that the best things I saw on any screen in 2008 were:
1) "Generation Kill" (seven-part HBO mini-series, adapted by Ed Burns and David Simon, the makers of "The Wire," and Evan
Walker Wright, a reporter embedded with the 1st Recon Marines in Iraq in 2003, based on Wright's book). I don't like the title. At some point in Episode Three I thought this was the funniest show on TV. About 15 minutes later, I still felt so, but I also felt something radically different. Susanna White is one hell of a director.
2) "Liverpool" (Lisandro Alonso; seen at Toronto Film Festival)
4) "35 Rhums" (Claire Denis; seen at Toronto Film Festival)
5) "Mad Men" (AMC, Season Two)
6) "In Treatment" (HBO, Season One)
Just because they didn't play for a week or more on US movie screens doesn't mean they should go unacknowledged (any more than "The Dekalog" or "Fanny and Alexander" should), and I hope to have the opportunity to write about them in depth in 2009. ("Generation Kill" was just released on DVD December 16.)
Matt Zoller Seitz reviews and reflects upon Jesse Eisenberg's New Yorker piece about film critics.
The film that Fox packaged with "Star Wars" to get theaters to play a little space opera no one had heard of was "The...
An article about Spike Lee's Honorary Oscar at the 2015 AMPAS Governors Awards.