Imagine an "R" rated "Lassie" by way of "Spartacus." That's Kornél Mundruczó's "White God," a brutal but stirring fantasy about street dogs rising up against…
Before I do my proper "ten best" honors (in a form that is not a critics' poll ballot), I just want to say that the best things I saw on any screen in 2008 were:
1) "Generation Kill" (seven-part HBO mini-series, adapted by Ed Burns and David Simon, the makers of "The Wire," and Evan
Walker Wright, a reporter embedded with the 1st Recon Marines in Iraq in 2003, based on Wright's book). I don't like the title. At some point in Episode Three I thought this was the funniest show on TV. About 15 minutes later, I still felt so, but I also felt something radically different. Susanna White is one hell of a director.
2) "Liverpool" (Lisandro Alonso; seen at Toronto Film Festival)
4) "35 Rhums" (Claire Denis; seen at Toronto Film Festival)
5) "Mad Men" (AMC, Season Two)
6) "In Treatment" (HBO, Season One)
Just because they didn't play for a week or more on US movie screens doesn't mean they should go unacknowledged (any more than "The Dekalog" or "Fanny and Alexander" should), and I hope to have the opportunity to write about them in depth in 2009. ("Generation Kill" was just released on DVD December 16.)
A film teacher looks back on "The Breakfast Club," partly through the eyes of her students.
As we mourn Abrams’ macho Star Trek obliteration, it’s a good time to revisit that most Star Trek-ian of accomplishme...
A piece on the use of animals in film in light of "White God".
The conversation about Woody Allen's personal and professional lives intertwining continues, but to what end?