The fact that he doesn’t try to redeem these flawed, fascinating figures—or even try to make you like them in the slightest way—feels like an…
Ten movies, two or three shots apiece (more or less), 76 seconds, no dialog, no annotations. (The critical comments will come later.) This is my hommage to the ending of the late Michelangelo Antonioni's "The Eclipse" and to the writers who are currently on strike. (Full disclosure: I'm a WGA/west member and I strongly support the writers.) The effort was to look at my favorite movies of the year (inspired, to begin with, by the opening of "No Country for Old Men") solely through establishing shots, architecture, landscapes, inanimate objects... and a few glimpses of extras and motionless actors who don't speak.
How many of them can you name (in one shot? two?). Titles, writers and directors are cited at the end. (For some reason, this iKlipz/Flash version hangs for a few seconds just before the final titles -- but they do appear...)
10. "Helvetica" 9. "The Assassination of Jesse James by the Coward Robert Ford" 8. "The Orphanage" 7. "Superbad" 6. "Breach" 5. "Persepolis" 4. "12:08 East of Bucharest: 3. "Zodiac" 2. "I'm Not There" 1. "No Country for Old Men"
A comparison of Frank Costello in The Departed and Whitey Bulger in Black Mass reveals weaknesses in the latter.
Our monthly series digs into the career of Wes Craven and comes out with his 3D 2010 film, "My Soul to Take".
An interview with Michael Shannon on Freeheld, 99 Homes, Boardwalk Empire, and more.
This message came to me from a reader named Peter Svensland. He and a fr...