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Star Trek Into Darkness

Less a classic "Star Trek" adventure than a Star Trek-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…

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Stories We Tell

Families create their own narratives. Stories are passed on from generation to generation, and in this way the past continues to live, but it can…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Moving Forward

Mother’s Day I awakened to spirited calls from my children and grandchildren. As Roger wrote in his memoir, “Life Itself,” I came from a large family of nine, and I had four brothers and four…

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My 10 best list: the movie (WGA strike/Antonioni edition)

Ten movies, two or three shots apiece (more or less), 76 seconds, no dialog, no annotations. (The critical comments will come later.) This is my hommage to the ending of the late Michelangelo Antonioni's "The Eclipse" and to the writers who are currently on strike. (Full disclosure: I'm a WGA/west member and I strongly support the writers.) The effort was to look at my favorite movies of the year (inspired, to begin with, by the opening of "No Country for Old Men") solely through establishing shots, architecture, landscapes, inanimate objects... and a few glimpses of extras and motionless actors who don't speak.

How many of them can you name (in one shot? two?). Titles, writers and directors are cited at the end. (For some reason, this iKlipz/Flash version hangs for a few seconds just before the final titles -- but they do appear...)

10. "Helvetica" 9. "The Assassination of Jesse James by the Coward Robert Ford" 8. "The Orphanage" 7. "Superbad" 6. "Breach" 5. "Persepolis" 4. "12:08 East of Bucharest: 3. "Zodiac" 2. "I'm Not There" 1. "No Country for Old Men"

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It’s a Mad Mad Mad Mad Cannes

Michał Oleszczyk

Rainy Day Blues: Cannes Report: May 18, 2013

After duds "Jimmy P." and "Grand Central," the Coen brothers' "Inside Llewyn Davis" saves the day for Barbara Scharre...

Cannes reviews: Alejandro Jodorowsky returns with "The Dance of Reality" and "Jodorowsky's Dune"

At Directors' Fortnight, Alejandro Jodorowsky has one new feature and appears as the subject of another.

Only Connect: Cannes Report, May 17

Asghar Farhadi ("A Separation") returns with another look at unsolvable dilemmas, an erotic thriller goes all the way...

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