The Hangover Part III
Better than “The Hangover Part II,” but equally as useless, “The Hangover Part III” plays more like a caper film than an outright comedy. The…
Better than “The Hangover Part II,” but equally as useless, “The Hangover Part III” plays more like a caper film than an outright comedy. The…
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Named after the David Cronenberg film, this is the blog of RogerEbert.com founding editor Jim Emerson, where he has chronicled his enthusiasms and indulged his whims since 2005. Favorite subjects include evidence-based movie criticism, cinematic form and style, comedy, logical reasoning, language, journalism, technology, epistemology and fun. No topic is off-limits, but critical thinking is required.
At MSN Movies, Richard T. Jameson and Kathleen Murphy continue their tradition of conjuring indelible cinematic moments of the previous year -- made all the more indelible by their luminous descriptions of them. A few samples, from some terrific movies, and some not-so-terrific ones:
• In "The Edge of Heaven," a brown ribbon of road glowing under the last shrinking patch of blue in a lowering, end-of-day sky ...
• "In Bruges": The twinkle and the glower: First views of the "Belgian s---hole" by, respectively, Ken (Brendan Gleeson) and Ray (Colin Farrell) ...
• In "Revolutionary Road," April stands in milky light with her back to us, gazing out her picture window as blood pools at her feet. Hats off to Douglas Sirk . ...
• As a hospital explodes in the background, a nurse sporting an obscene mask of white, black and red greasepaint totters in the street, gazing into the camera as though daring us not to get off on the way the Joker plays in "The Dark Knight" ...
• "I was a guard!" -- the courtroom profession that instantly defines the literal and moral limits of Hanna Schmitz's (Kate Winslet) imagination, and perhaps a nation's, in "The Reader" ...
• In "Che," the most romanticized revolutionary ever (Benicio Del Toro) staggers up a steep wooded hillside, wheezing with asthma. ...
• A scene of pastoral skinny-dipping suddenly turns cold and black with the threat of death, and in "Tell No One," nothing afterward is as it seems. ...
• Wendy (the superb Michelle Williams) gazes helplessly from the backseat of a cop car as her tethered golden Lab recedes from view -- the first in a cascade of losses in "Wendy and Lucy."...
• "The Happening": Mark Wahlberg delivering a monologue to a houseplant, just in case ...
• "Let the Right One In": At snowy evening, a man making his way home passes out of a tunnel, and the dark little creature Eli drops on him as if from above the screen itself. ...
• "Burn After Reading": Chad Feldheimer's last grin (Brad Pitt, sublime) ...
Many more here.
Care to contribute some of your favorite movie-moments from the past year?
Next Article: The micro and the macro Previous Article: Spots before your eyes!
Alexander Payne's "Nebraska" brings black and white, to the competition, while "Omar" delivers moral shades of gray t...
The destruction of Vulcan, one of the most crucial planets in the "Star Trek" universe, should be at the core of J.J....
Today the American Pavilion remembered Roger Ebert with a panel and beachfront thumbs-up salute.
Robert Redford braves the high seas alone in the shipwreck drama "All Is Lost."