American Sniper proves the dictum “never count an auteur out” by proving itself as Eastwood’s strongest directorial effort since 2009's underrated Invictus pretty much right…
This week film critic Jonathan Rosenbaum, 65, retires from a 20-year stint at the Chicago Reader. In this interview, posted at The Reader's site, Rosenbaum looks back at his career (writing, editing, blogging) and ruminates on what he'd like to do next, which includes the freedom to not have to see movies he has no interest in seeing. People who are not film critics have no idea how precious that freedom can be. (Rosenbaum also has a few choice words for out-of-control commenters on The Reader's blog that make me grateful for the readers and commenters we have here.) You can see Part II here, in which he expounds on film as politics and vice-versa, Barak Obama, "Charlie Bartlett" and "There Will Be Blood," which he sees as "simpleminded" and less-than-"challenging."
JR's authoritative, confrontational (sometimes even doctrinaire) style has sometimes provoked me to take issue with him, but I'm always interested in what he has to say -- and will continue to be. May his "retirement" (not from writing, from The Reader) be an eminently productive one!
This message came to me from a reader named Peter Svensland. He and a fr...
A letter to Angelina Jolie about the casting of her upcoming take on "Cleopatra."
An FFC comments on Roger Moore's best James Bond film, "The Spy Who Loved Me."
The best television programs of 2014.