In Memoriam 1942 – 2013 “Roger Ebert loved movies.”


Steve Jobs

The fact that he doesn’t try to redeem these flawed, fascinating figures—or even try to make you like them in the slightest way—feels like an…


Knock Knock

As a piece of social satire, Knock Knock winds up being not just toothless but anticlimactic.

Other Reviews
Review Archives

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…


Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Other Articles
Channel Archives

IndieWIRE crix poll: American blood, blood, blood


Paul Dano anoints Daniel Day-Lewis in "There Will Be Blood."

IndieWIRE has announced the results of its annual critics' poll, and Paul Thomas Anderson's "There Will Be Blood" dominates (picture, director, screenplay, cinematography, lead performance), followed by David Fincher's "Zodiac" and Joel & Ethan Coen's No Country for Old Men.

For most American viewers, this is going to be a Netflix list: Two of the top ten movies never barely opened theatrically outside of New York ("Syndromes and a Century," "Colossal Youth"); two never played in more than 20 theaters at once ("Offside," "Killer of Sheep" -- the restoration of Charles Burnett's 1977 film); two haven't opened yet, and won't in most places until 2008 ("There Will Be Blood," "4 Months, 3 Weeks, 2 Days"); and, in these days when wide releases typically launch on 2,000 - 4,000 theaters, two never made it to more than 400 at any given time ("I'm Not There" [149], "The Assassination of Jesse James By the Coward Robert Ford" [301]). Only two others ever spread beyond 1,000 screens: "No Country for Old Men" and "Zodiac." Three of the ten best selections -- "Killer of Sheep," "Offside" and "Zodiac" -- are currently available on DVD.

Poll administrator Dennis Lim noted that, compared to 2006 when "the relative dearth of truly exciting films" was lamented by many critics, this year's 106 participants were more enthusiastic about their choices. One eyebrow-raising development was cited in the indieWIRE introduction, though:

If there is a strking hole to be found in this year's [poll results]... it is the utter lack of American indie films. While last year's survey celebrated outside-the-system films such as David Lynch's "Inland Empire," Kelly Reichart's "Old Joy," Ryan Fleck's "Half Nelson" and Andrew Bujalski's "Mutual Appreciation," the acclaimed new films from American filmmakers this year came from directly within the Hollywood and Indiewood system, starring name actors.

Other poll-toppers: Best First Film (Sarah Polley, "Away from Her" (2006)), Best Documentary ("No End in Sight," Charles Ferguson), Supporting Performance (Cate Blanchett, "I'm Not There" (2007)), The complete results in all the categories can be scrutinized here. And the individual critics' ballots (including mine) are here.

Popular Blog Posts

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

Of Rats and Men: “Black Mass” vs. “The Departed”

A comparison of Frank Costello in The Departed and Whitey Bulger in Black Mass reveals weaknesses in the latter.

NYFF 2015: "No Home Movie," "Microbe & Gasoline"

A NYFF report on new films from Chantal Akerman and Michel Gondry.

The Unloved, Part 22: "My Soul to Take"

Our monthly series digs into the career of Wes Craven and comes out with his 3D 2010 film, "My Soul to Take".

Reveal Comments
comments powered by Disqus