The Danish Girl
The Danish Girl lacks an immediacy and vibrancy, as well as a genuine sense of emotional connection.
As "Jackass 3-D" splats into theaters, Frank Paiva and I, over at MSN Movies, debate such urgent questions as: "Are we done with the 3-D yet?"; "What does 3-D add to or subtract from the cinematic experience?"; "Is the technology itself any good?"; and, "What's the best use for it? Science-fiction spectaculars? Art films? Porn? Amusement park rides?"
Here's part of my take:
I think 3-D is simply another incarnation of the much-hyped "Angle" feature on DVDs. You know -- it's still there on your remote. It was the feature that was supposed to allow You, the User, to select alternate angles within a scene (assuming the filmmakers had provided the footage). Your invocation of Megan Fox's cleavage and Jake Gyllenhaal's chest hairs is right on the money. The most commercially viable use for 3-D (and for "Angle" and for the Internet) is porn.
Matt Zoller Seitz reviews and reflects upon Jesse Eisenberg's New Yorker piece about film critics.
The film that Fox packaged with "Star Wars" to get theaters to play a little space opera no one had heard of was "The...