In Memoriam 1942 – 2013 “Roger Ebert loved movies.”



Freeheld stumbles over too many hurdles to recommend it. The film’s heart is in the right place, but its focus is not.



Cassel’s latest movie that smartly keeps his innate menace on a slow, low simmer, isn’t nearly as convincing or compelling as its star.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…


Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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I failed...

... to write anything last week at CWA where there's hardly a moment to breathe (gasping at the mile-high altitude aside) between panels, conversations, lunches, parties, receptions (and -- for me, anyway -- precious sleep). You have to understand: I often go days without actually seeing or speaking to anybody; all this socializing is exhausting for me. I'll be looking back at the experience this week, but in the meantime, in case you missed it, Roger Ebert writes about the first day's Cinema Interruptus with Werner Herzog, Ramin Bahrani and "Aguirre, the Wrath of God."

(Above: Photo by Roger Ebert. And aren't Ramin's new frames terrific?)

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