In Memoriam 1942 – 2013 “Roger Ebert loved movies.”


The Good Dinosaur

A film that has some promising elements and which often seems as if it is on the verge of evolving into something wonderful but never…


The Danish Girl

The Danish Girl lacks an immediacy and vibrancy, as well as a genuine sense of emotional connection.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…


Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Great Movie Archives

Guy Maddin: Give him a hand!

Fandor is hosting a Guy Maddin Blogathon all week (September 19-23). As part of it, Fandor Editor-in-Chief Kevin B. Lee and Press Play's Matt Zoller Seitz have collaborated on a fascinating NSFW (silent film nudity!) video essay exploring Maddin's 2004 "Cowards Bend the Knee," which they say might be his masterwork: "It feels like a signpost work, a summary of his techniques and obsessions." A hockey player for the Winnipeg Maroons, Guy Maddin, whose aunt runs a combination beauty parlor and abortion clinic called the Black Silhouette, finds himself the victim of a sinister plot when his girlfriend becomes pregnant. You can watch the essay, "Cut Up in a Dream: Guy Maddin's Cowards Bend the Knee" above (listen closely to the pastiche of popular classics that serve as the musical score); or see the entire feature at Fandor.

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Anton Ego and Jesse Eisenberg: some notes on the presumed objectivity of critics

Matt Zoller Seitz reviews and reflects upon Jesse Eisenberg's New Yorker piece about film critics.

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

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