"Transcendence" is a serious science fiction movie filled with big ideas and powerful images, but it never quite coheres, and the end is a copout.
The ever-reliable David Hudson tracks the Rohmer tributes at The Auteurs Daily.
I recall seeing Rohmer's last film at the Toronto Film Festival in 2007:
Eric Rohmer has made a career out of chronicling the rituals of romance (and Romanticism), from the 6th century to the present, and from his celebrated film series, Six Moral Tales (1963 - 1972), Comedies and Proverbs (1981 - 1986), and Tales of the Four Seasons (1990 - 1998). And then there are those elegantly contrived period pictures that don't fit into the series, like "Perceval," "The Marquise of O," "The Lady and the Duke" (which I haven't seen) and now "Les Amours d'Astrée et de Céladon" (known in English-speaking Canada as "The Romance of Astrea and Celadon").
Two of my favorite Rohmer films (perhaps my two very favorites) seem to be among his least-mentioned: "Perceval" and "Summer" (aka "Le Rayon vert") -- the former completely artificial (shot on a painted soundstage) and the latter an equally charming portrait of a romantic klutz.
"Les Amours d'Astrée et de Céladon" is a Rohmerian delight, another ritualized romance (highly mannered behavior, poetic language) played out in a naturalistic pastoral setting (an unblemished slice of French countryside around the River Lignon)....
Next Article: "I saw a Rohmer film once...": The truth behind the Night Moves meme Previous Article: Why one critic won't see Avatar: "What, am I a forest animal, unthinkingly hypnotized by shiny objects?"
Owen Gleiberman's sacking as lead film critic of Entertainment Weekly — part of a ritual bloodletting of staffers at ...
The recent #CancelColbert campaign on Twitter raises all kinds of issues about racism, but also about hashtag activism.
Scott Jordan Harris argues that disabled characters should not be played by able-bodied actors.